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I never thought that I would be labeled something like Generation X because of that movie ( Reality Bites ). I had no idea going into it, and it wasn't a label I could relate to.
I did so many comedies that we've had numerous discussions about horror of film and I've always been really hesitant to do so because the last thing I wanted to make was a horror movie.
No studio in Hollywood wanted 'Cold Mountain.' None. No one wanted 'Ripley,' no one wanted 'The English Patient.' That tells you there isn't really an appetite for ambitious movie-making out there.
A lot of people go to the movies wanting the movie to be about feelings, and it's really not about that. Or rather it's about feelings in the abstract.
That's kind of my ideal sequel - a movie that continues the story, takes one character and moves on, and moves forward with that character that survived with the first one.
I never studied dance, but if you look at 'Wild At Heart,' my mother saw that movie and said, 'You are a dancer. Look at how you're moving: all that strange energy is like modern dance.'
My career in the movie business began in Hong Kong, my heart has always been tied to Asia, and it is immensely gratifying to see international recognition for Asian cinema as a whole.
You can have a role in a movie that was originally something minor in terms of screen time, and all of a sudden we see something and go, wow, that's cool.
A lot of the commercials that I was doing were very slice-of-life, emotional, documentary-style, not big and cinematic and ultimately like the kind of movie I wanted to make.
I knew what it was to be uncomfortable in a movie theater watching unfolding on the screen images of myself - not me, but black people - that were uncomfortable.
I am so happy because I want more people to like martial arts movie not just martial arts audience. Even martial arts can be used in comedy, in drama, in horror movies, in different kinds of movies.
I stepped into the martial arts movie market when I was only 16. I think I have proved my ability in this field and it won't make sense for me to continue for another five or 10 years.
Our subconscious works in metaphors, stories, and word play. That's why a particular story or movie may mean more to some people than to others. Have you considered why you quest for this tale now?
I've been failing for, like, ten or eleven years. When it turns, it'll turn. Right now I'm just trying to squeeze through a very tight financial period, get the movie out, and put my things in order.
It's tedious to watch something very obvious being worked out, like a movie that's not particularly good and after about half an hour you know how it's going to end.
It doesn't matter how good the movie is. What matters is what it takes during the opening weekend. It's slightly distressing sometimes but that's how it works.