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Actors, you kind of have these ebbs and flows. These moments where you're in your glory - where you're really cracking - and moments where you're not.
Absolutely nothing visible to the eye provides a reason for or even evidence of those terrifying shifts which can in a matter of moments reconstitute a simple path into an extremely complicated one.
Anything you're trying to will is focused on the future; it's always associated with some sort of anxiety that makes the present moment somewhat uncomfortable.
The moment we begin tolerating meanness, in ourselves and others, we are using our authorial power in the service of wrongdoing. We have both the capacity and the obligation to do better.
I mean every character you totally, you know, the full fiber of the personality is kept in the film, and all of those little moments, all those funny little tidbits are all in there.
Ireland is not in a good place at the moment. We have our own humiliation of losing our economic sovereignty, and we're now regaining it slowly and painfully.
A seventeenth-century painting can be "modern" because the living eye finds it fresh and new. A "modern" painting can be outdated because it was a product of the moment and not of time.
Promiscuous ... was a word I had never applied to myself. Possibly no one ever does, for it is a sordid word, reducing many valuable moments to nothing more than doglike copulation.
When I watch comedy I love to see that pleasure in the performer's eye and that sense of cheek - and even those moments when you can see someone is trying not to laugh.
I'm not interested to change about the government. I'm interested to change the conditions for the people. So, yes, I talk a lot. But I think this is the only way for Italy in this moment.
This, in the end, might be the greatest social good of poetry: to get us to live differently, with a different sort of thinking and concentration, even if it's just for a few moments.
I feel like an inadequate machine, a machine that breaks down at crucial moments, grinds to a dreadful hault, 'won't go,' or, even worse, explodes in some innocent person's face.
I can only see right in front of me when I'm writing, you know? I never think of it as raw or personal or anything but where I'm at in the moment. But I can see it sort of after I finish.
Maybe feeling of presence in my body is why I've always sought out extreme experiences; it forces me to be in a moment, to face the fact of my existing in that particular moment, in my body.
The moment that you start to read a script, you're watching the movie in your mind, and that's the one moment that you have. Then, you go off to make the movie and you become so lost in it.