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As soon as you have a language that has a past tense and a future tense you're going to say, 'Where did we come from, what happens next?' The ability to remember the past helps us plan the future.
Storytelling draws on the magic of language to created Elsewheres. Writers use a linguistic sleight-of-hand to take an attribute, attach them to new objects, and create enchantment.
In another thirty years people will laugh at anyone who tries to invent a language without closures, just as they'll laugh now at anyone who tries to invent a language without recursion.
I think that’s what Toni Morrison and Alice Walker understand, the secret language of women. That it’s not a secret at all; men just don’t know how to listen.
To lovers of the long and intricate history of language the disuse and final death of certain words is a matter of regret. Yet every age bears witness to the inevitableness of such loss.
Our language, once homely and colloquial, seeks to aggrandize our meanest activities with polysyllabic terms or it retreats from frankness into a stammering verbosity.
The trouble is, old age is not interesting until one gets there. It's a foreign country with an unknown language to the young and even to the middle-aged.
Faction is the greatest evil and the most common danger. "Faction" is the conventional English translation of the Greek stasis, one of the most remarkable words to be found in any language.
I think a very important aspect of language has to do with the establishment of social relations and interactions. Often, this is described as communication. But that is very misleading, I think.
On the day of the show, I sit down with someone that speaks very good English and someone who speaks the local language very well and work out what I'm going to say.
I had trouble listening to adults who didn't really mean anything that they said; it was as if their language poured into my ears only to drain right out a little spigot in the back of my head.
Now we have this idea that, not only do you go to first grade to learn your family's language, but you go to a university to learn about the person you were before you left home.
The question is how to bring a work of imagination out of one language that was just as taken-for-granted by the persons who used it as our language is by ourselves. Nothing strange about it.