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Is there a connection between language and magic? Yes. Ten times yes. So much yes that it almost doesn't bear talking about. It's as pointless that arguing that the sun is hot.
It's difficult for me to feel that a solid page without the breakups of paragraphs can be interesting. I break mine up perhaps sooner than I should in terms of the usage of the English language.
Russian is a very deceptive language, because it looks easy at first: it's like setting out for a gentle stroll and realizing that you've committed yourself to scaling Himalayan peaks.
But poetry is a way of language, it is not its subject or its maker's background or interests or hobbies or fixations. It is nearer to utterance than history.
Doesn't matter what language you speak or what clothes you wear. Some things don't change. Families. Friends. Lovers. They're the same in every city in every country in every continent of the world.
We can move no faster than the evolution of our language, and this is certainly part of what the psychedelics are about: they force the evolution of language.
Afrikaans is my first language, although you would never know, as my English accent has more of an American-British thing going on from all my years of travelling.
Not only every great poet, but every genuine, but lesser poet, fulfils once for all some possibility of language, and so leaves one possibility less for his successors.
Our language, once homely and colloquial, seeks to aggrandize our meanest activities with polysyllabic terms or it retreats from frankness into a stammering verbosity.
On the day of the show, I sit down with someone that speaks very good English and someone who speaks the local language very well and work out what I'm going to say.
The work that the kids saw around them was so odious, so boring, so worthless that they came to regard WORK as the only dirty four-letter word in the English language.
All I know is that I operate by going out to each of them and trying to learn the territory in which they operate. My language to each of them has to suit their brain.
Sometimes I try to improve the language, the lines, or the delivery, but I don't ad-lib because I think that makes it really hard for everybody else involved.
I had trouble listening to adults who didn't really mean anything that they said; it was as if their language poured into my ears only to drain right out a little spigot in the back of my head.