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I wouldn’t be able to write a song like “Someone Like You” and get someone else to sing it because it’s so personal. It’s like giving away your heart.
Being such a tomboy growing up, that was one thing that changed me as a person, as well. It broadened me, like me cracking myself open in a certain way.
Seeing my face on a poster is surreal. You look at it and it's not quite like you, if you know what I mean... it's almost a third person kind of thing. I still find it strange.
I cannot imagine where we would have been without BET. Many like me who operate in black America can only get our balanced story told nationally on BET talk shows.
It's exciting to be with really, really good people. Some people make you feel like you've got to up your game. Working with good people is always good.
You hope people won't be tricky or miserable. If you're in public life, it's important not to be. If someone says, 'I like your programme, thank you,' you should be grateful. I am. Why be nasty?
My aunty says I'm the double of my father. He was a workaholic, which I've definitely inherited. And like me, he could be the life and soul of the party, but also quite withdrawn.
I think you always feel like you're about a hair's breadth away from being a bad actor anyway... It's not too hard to let the rope go slack, so to speak.
Do you still look at each other like you once did, back at the beginning of the story when everything was a question you were too afraid to find the answer to?
Not one day goes by when I don't remind myself of how grateful I am for those who came before me over the last 25 years. When I see players like Mike Schmidt and Johnny Bench, I thank them.
Where in the world did you get that dress?" "Present from Zu." "You look like you want to throw it in a fire." "I can't promise there won't be an unfortunate accident later on.
It's hard, because when you talk about process or your characters ruling your narrative, it sounds like you have no control, but obviously you're ultimately the author, so you do have control.
Secrets are great for acting. Secrets are the best thing in the world for acting, because they keep you looking like you have something in the back of your mind.
The poetry when I was a kid felt like something that I could control, and whether it failed or not, whether it was good or not, was totally on me and I could accept that. It was entirely mine.
Being in New York City is the best because I'm always walking, taking the subway and walking up and down the stairs - whether you like it or not, you're going to get exercise.