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I think maybe it's too bad that our society isn't further along and this is such a big deal. I think it's time...that people realize that women in this country can do any job they want to do.
One of the things that would steer me away from a franchise is that I'm playing the same character all the time and I wouldn't want to be known for that.
When I can't get the character out of my head, and I'm in my bedroom and I start to actually act out the scenes that I've read in a script, I think okay, I really want to do this.
I certainly have dreams of being on a Broadway stage someday, if they'll have me. I think I want to stay really open to whatever possibilities present themselves.
I'm not going to blame a referee for something I feel like I should be able to control. I should get up quicker. If you want to win fights, you just have to do it, regardless of what's going on.
I labor, I spend, I strive, I design, I love, I cling, I uphold, I give way, I envy, I long, I scorn, I die, I hide, I want. Faster, much faster than any man could make the tally.
The reason I'm really appreciative of everything that's going on around me is because of the fact that I never expected it, and I want to keep that attitude.
The hypocrisy seems pathological among the stars. And yet we desperately want to believe Armstrong is immune to dishonesty in the same way everyone wanted to grant McGwire a pass in 1998.
The purpose of an elevator pitch is to describe a situation or solution so compelling that the person you're with wants to hear more even after the elevator ride is over.
The essence of marketing today is to tell a story to people who want to hear it, in a way that resonates with them so they are likely to either respond or connect to you, or tell their friends.
Marketers want to get their messages in front of you. They must get their messages in front of you, just to survive. The only problem is-do you really want more marketing messages?
I think, ultimately, people are looking for real heartfelt true stories. They want to engage with them, they want to relate (to) them and, ultimately, they want to have hope.
Once I retire and slow down, I don't want to be in New York. I want to be somewhere near a lake or a pond, so that on my days when I have nothing to do, I can go fishing.
I look at old interviews and things and they say, 'What do you want to do when you grow up?' I say, 'I want to be a producer.' And I'm really fortunate that I was able to do it.
I am determined to enjoy each day to the fullest. I don't want to wish away Christmas. I want to enjoy these last moments of Advent and look forward to Jesus's birth with anticipation.
I can't advise any of the young ones, because I don't know what their background was, but I would suggest that anyone who wants to be famous more than anything - there's a problem.
The main reason for choosing a project is not really the renown of the director that's making the project. I feel like it's the fact of an actor to constantly want to do different things.
Most crime fiction plots are not ambitious enough for me. I want something really labyrinthine with clues and puzzles that will reward careful attention.
If you want something you can't afford, think what else that money could buy: a week's groceries, a month's rent, or a weekend away. That will put things into perspective.
I'm disappointed in acting as a craft. I want everything to go back to Orson Welles and fake noses and changing your voice. It's become so much about personality.
I think a lot of people who want to be musicians terrify their parents because they don't have a living example of it in their families, and I did. So I always knew that it was possible.