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When things aren't working out as you wish, be patient. Stop trying to move ahead of God. His timing is perfect. Trust Him.
I work out a lot - five, six, days a week. I take yoga classes and go to the gym - I love doing it and I have the time to do it. Not everybody has that option.
I'm sticking my tongue out in scenes to try to make that work in 3D. I'm thinking I'll try to get my tongue all the way out to the second row of the audience.
When I work, I really try to get absorbed in the character. Unless I want to do something playful with the camera, I'm not too worried about where the camera is or positions.
Movies work, in my opinion, on the best level when they're more enigmatic, when we don't say it's this or that and where it raises more questions than answers.
I think what we're talking about is a sense of fashion as laboratory work. I mean, we are not scientific, of course, but we are looking for ideas all the time.
That's what I think when people do their "best stuff" collection. When you start to think, "Oh, I will just present my 10 years of work," that's not a good sign.
If I were to find something that is going to be more important to me than fashion - that would be work and love - then I probably would let go. That's a possibility. But fashion is an addiction.
I can do my part of the storytelling. I can carry it. I can paint it. I can maneuver it. I can massage it. But if I don't have anything to work with, then there's nothing.
I've been fortunate to work with Alfre Woodard and Jeffrey Wright; people who are artists, have careers, longevity and full lives. That looks good to me.
I would still encourage somebody, if they wanted to make a movie, to just go take a movie camera. That's clearly been shown to work. It's just how do you get it seen?
Honestly, people have said everything under the sun. I just want to do my work, raise my kids, and hopefully find somebody who I can share my life with again.
No, I don't harbor any mystical ideas about writing, Your Honor, it's work like any other kind of craft; the power of literature, I've always thought, lies in how willful the act of making it is.
I'm a quiet person, I'm not a flashy art world person. I'm in the studio in the middle of nowhere. There's sheep and fields. The work has to be authentic in that way.
I felt like I had reached the end of a period of life, where the work was jumping about and pushing something new every time. I wanted to dial it back and create a language that was stable and deep.
I have a skill set that often helps me get through hurtful moments or experiences. However, sometimes when the pain cuts really deep, my normal go-to exercises just won't work.
My biggest vulnerability now is my son, Hudson. I am often plagued with fear: Is he ok? Is he safe? I'm in the process of trying to work through this fear. It's a hard one.
There's certain things that we do work with Russia on and then there's certain things when they do something wrong, I have no problem calling them out on it.
You've got to go where the work is. My mom got a job somewhere else so I went and lived with her and then I just bounced all over going to school, chasing rainbows and all that.
When a business becomes successful seemingly overnight, no one knows about all the months and years you've invested, all the projects you've tried before that didn't work.
I work out at least once a day. If I'm not working, I'll work out three times a day. I do it because I enjoy it. It's a way of living and it makes me relaxed. It gives me mental stability, honestly.