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Working as an editor was like being a professional reader, and the better I became at reading the better I became at writing.
The draft that finally goes to my editor doesn't get into her hands until I have read it out loud innumerable times - sometimes into a tape recorder - to make sure that it sounds right.
I try to be a lot of things for the authors I work with - a careful reader, a helpful friend who also happens to be an experienced writer, a thoughtful editor, and a creative midwife.
For while agents and editors often misunderstand their market and sometimes reject good or even great works, they do prevent a vast quantity of truly execrable writing from being published.
Onstage I'm the one in control - I'm not at the mercy of how an editor chooses to put the scene together later. I can do things onstage that I would never do in real life. It's very freeing.
I learned how to make a documentary by having a good team around me. My editors (and co-writers)Bent-Jorgen Perlmutt and Frédéric Tcheng were very helpful.
It isn't a question of enhancement through design. Whether an editor realizes it or not, design is part of what he does every time he prints the paper.
I remember when I was working on All Alone in the Universe, and Robin Roy was my editor. When I first sent it to her, she said kids this age don't want pictures in their books.
[Alex] Haley had a tendency to write even more frequently and voluminously to his agents and his editors than he did putting pen to paper in his own books.
Anyone who thinks designers don't talk to editors, and editors don't talk to stores doesn't know what's happening...It's called crossover, sampling all references in music, art and fashion.
One reads the papers as one wants to with a bandage over one's eyes without trying to understand the facts, listening to the soothing words of the editor as to the words of one s mistress.
making final judgements about poets, cities or regions on the basis of an anthology is always dangerous: anthologies are mirages created, finally, by their editors.
[Max Askeli] started this very good magazine [The Reporter]. In fact, Meg Greenfield, who's now the editorial page editor of The Washington Post, was one of the star reporters there.
William Shawn was the editor of The New Yorker and for whom I worked for, God, 27 years; a man I respected enormously because of what he did, - what the magazine was about.
The fashion editor as it used to be has changed. Now you have to wear many hats, and whoever tells you differently is wrong. Now you're on TV, whether you want it or not.
The film [Dream of Life] is the way it is because it was the rhythm of my life, and also because the director and the editor are both gifted and both fine human beings.
I didn't do a masters in creative writing until I was 26, which is quite old, and then I found myself in New York and I needed money, so I started working full time as an editor.
The President proclaims war, and those Senators who dissent are not those who know better, but those who can afford to...Democracy becomes a government of bullies tempered by editors.
As an editor, I must often tell writers that their stories "do not fit our present needs." But there are times when I want to reply: "Sir, I would not trust you to write a ransom note."