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As long as you focus on your strengths and remain natural, then you come off natural [in your work].
I invite you, from my sentiments, my convictions and my responsibilities, to work together in the construction of a Uruguay where being young is not suspicious, where aging is not a problem.
People must insist on the right to say no, to be alone, to stand out from the herd. Creative artists can say all this in their own way and in their own field, by hard, rigorous work.
There are staples to my show. I have to be conscious about switching things up because I know people who saw me last year will say, 'He did that last time.' But if certain things work, they work.
Power corrupts and there is way too much corrupted power. Stand up and monitor the government that is supposed to work for us. That's what the Tea Party represents.
It is, perhaps more than anything else, the arrest of time which has taken place in a completed work of art that gives certain plays their feeling of depth and significance.
I work primarily for the camera-it's not something I really talk about a lot, but it's part of the way I am as a movie actor. The camera is my girl, as it were.
Since fantasy isn't about technology, the accelleration has no impact at all. But it's changed the lives of fantasy writers and editors. I get to live in England and work for a New York publisher!
Anyway, several rewrites later, Del Rey Books did publish my first novel, and it did become the first work of fiction on the New York Times trade paperback bestseller list.
David Burnett was the son of Martha Foley, who edited the Best American Short Stories series. She hired me to work with David and her to read stories for the anthology.
When I am out and about I feel watched. It's become second nature. The only time I get to be private is in my work. That is when I liberate the ego. The blessed-out sensation of liberating the ego.
Despite a large body of work in films, TV, theatre and concerts, I am viewed by many as a Jewish artist. I do not resent the label, except for the fact that I disapprove of labels in general.
In doing your work in the great world, it is a safe plan to follow a rule I once heard on the football field: Don't flinch, don't fall; hit the line hard.
Ultimately you are doing what you do for one of two reasons: to serve oneself or to serve God. There is enough time in every day to do God's work...in God's way.
An accident, a random change, in any delicate mechanism can hardly be expected to improve it. Poking a stick into the machinery of one's watch or one's radio set will seldom make it work better.