Theodore Bikel Quotes

No heirloom of humankind captures the past as do art and language.

Epistemology is the study of knowledge. By what conduit do we know what we know?

I am determined to give the Yiddish language a fighting chance to survive.

I have always striven to raise the voice of hope for a world where hate gives way to respect and oppression to liberation.

By showing hunger, deprivation, starvation and brutality, as well as endurance and nobility, documentaries inform, prod our memories, even stir us to action. Such films do battle for our very soul.

I prefer to make common cause with those whose weapons are guitars, banjos, fiddles and words.

All too often arrogance accompanies strength, and we must never assume that justice is on the side of the strong. The use of power must always be accompanied by moral choice.

But there is a difference here: When Jewish children are murdered, Arabs celebrate the deed. The death of an Arab child is no cause for celebration in Israel.

After the advent of the written word, the masses who could not - or were not permitted to - read, were given sermons by the few who could.

No doubt unity is something to be desired, to be striven for, but it cannot be willed into being by mere declarations.

I created the role of Captain Von Trapp.

I am filled with awe that filmmakers have the capacity to stir us and give us back a sense of wonder.

No movement can afford to be caught in a time warp and exist in a state of suspended animation.

Although I am deeply grateful to a great many people, I forgo the temptation of naming them for fear that I might slight any by omission.

As an artist I have an even more abiding interest in the compact between the Arts and Government.

I am a universalist, passionately devoted to the cause of equality within the human family.

We Jews have a special attachment to the Book. The study of page after page in tomes yellowing with age was obligatory.

The play is always fresh to me. It's not the audience's fault that I've said the words before.

But, when I toil in the field of Jewish culture which I frequently do, I am indeed a Jewish artist.

In my world, history comes down to language and art.

I do not know who there is among us that can claim to know God's purpose and God's intent.

You don't really need modernity in order to exist totally and fully. You need a mixture of modernity and tradition.

We live in a world of guns, bombs and terror. To conquer hate seems a nigh-impossible task.

What moves me is neither ethnocentric pride nor sectarian arrogance. I make no claim that Jewish culture is superior to other cultures. But it is mine.

One might have thought the world would stop ascribing moral equivalence between acts of terrorism and acts of punishing terrorism. It has not happened that way.

I know for certain of only one commandment, one obligation, that God imposes upon us, and that is to be compassionate toward other human beings.

Despite a large body of work in films, TV, theatre and concerts, I am viewed by many as a Jewish artist. I do not resent the label, except for the fact that I disapprove of labels in general.

On the stage you're there, it's live. There's a beginning, a middle, an end. When something is funny you hear it right away.

Retiring' - within that word is 'tiring,' and I'm not tired. I don't believe in retirement, really.

I tried for a while to be an agricultural worker and was hopelessly bored. To me it was meaningless. I would stand around in heaps of manure and sings about the beauty of the work I wasn't doing.

In my mind the city of Ariel is a thorn in Israel's side and a serious obstacle to peace.

It's a sad thing to contemplate, but I'm the last surviving cast member of 'The African Queen.'

You can't expect the entire world to come to New York to see you. You have to travel to them.

Right up to the middle of this century all perceptions of the world around us were delivered via the bookshelf or the paper route.

I do prefer the stage. It's really the granddaddy of them all.

I prefer to choose which traditions to keep and which to let go.

I am not, and have never been, in favor of boycotting Israel.

There is no role I cannot play except a midget.

You learn more from the flops than from the hits.

If I have one vanity wish, it would be to direct. It's the only thing I haven't done yet that I would like to.

'Visiting Mr. Green' is a good play. I enjoy being in it, and I have a wonderful colleague, Aidan deSalaiz, to work with. Audiences like it a lot. What's not to like?

When something is moving you get that intake of breath and that stillness from the audience.

Accents. I'm very good with accents. I'm exceedingly good.

I am not a specialist but a general practitioner in the world of the arts.

I am a Zionist, an ardent supporter of Israel, its defender when I deem Israel to be right and its critic when I deem it to be wrong.

Audiences are audiences.

Every actor wants to direct and produce, but I made a conscious decision when I was in college to understand the 'business' of 'show business.'

For I firmly believe that Jewish life, indeed any communal life, can only be organized according to democratic principles.

Having come to live in this age is as though one were to have entered another country. Learn its language or risk being left out.

I always sang, I always acted, I always played.