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After my screen test, the director clapped his hands gleefully and yelled: “She can't talk! She can't act! She's sensational!”
The director is the only person on the set who has seen the film. Your job as a director is to show up every day and know where everything will fit into the film.
Paris is the playwright's delight. New York is the home of directors. London, however, is the actor's city, the only one in the world. In London, actors are given their head.
Every part I've done has been for one reason or another-money, or the part, or the director, or the location. I'd like to get one thing that's all of those combined.
My philosophy is that to be a director you cannot be subject to anyone, even the head of the studio. I threatened to quit each time I didn't get my way, but no one ever let me walk out.
I know that some actors and directors like to have intensity on set. I don't, particularly. Certainly, if they want that, that's fine, but I can't work like that.
I think directors should at least take acting lessons to see what's going on. And I think all actors should direct to see what a director has to go through.
As a director, or just a film fan who wants to enjoy the festival, Cannes is the worst place to be. But it must be a paradise for distributors and importers.
One final thing a director needs: The ability to say 'I am wrong' or 'I was wrong.' Not as easy as it sounds. But in many situations, these 3 words, honestly spoken, will save the day.
I have many valentines. My mom and my sister and my directors. I got calls from all of them. And my friends. I respect what Valentine's Day stands for because it is about love
European films were what it was about for me - the sensations I needed, the depth, the storytelling, the characters, the directors, and the freedom that you can't really find in American films
Lyrical lecture, word architecture, Rap director, the best in my sector. Microphone cool chief, releasin the smooth speech... I get nasty with a pen and some loose leaf.
For me, being a director is about watching, not about telling people what to do. Or maybe it's like being a mirror; if they didn't have me to look at, they wouldn't be able to put the make-up on.
The theater audience is the ultimate teacher, instructing the actor on the degree to which he has executed both the author's and the director's intent.
When you're a lead role, I'm learning that you set a tone for the movie in a way, like a director does, or like other actors do. But it seems like you set a mood on set.