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If you thrive on the city energy it is necessary to leave the city frequently and to walk in parks, to get away from people. You are more sensitive than you realize. Find a spot that makes you happy.
One who is unassuming in dealing with people exhibits his arrogance all the more strongly in dealing with things (city, state, society, age, mankind). That is his revenge.
We have a documentary film festival in Mexico. It's really original. It's called Ambulante, and it's a film festival that travels around several cities in Mexico.
Even in a city like Barcelona, there are still some people in the city who are angry because that waterfront area is a big tourist destination, and all the rents went up, and they had to move.
Smaller cities, places like Sarajevo, for example, even amid all that destruction there's still so much pride that the [Olympic] games were there and that they did it.
You don't need jails, you get put a thousand miles into the middle of Australia, you can go wherever you want, go ahead, but if you come into a city it's straight to jail.
But instead of that stuff you get relationships with people and neighbors that you would never get in a city. People in small towns are a lot more open.
What holy cities are to nomadic tribes — a symbol of race and a bond of union — great books are to the wandering souls of men: they are the Meccas of the mind.
Only men to whom the family is sacred will ever have a standard or a status by which to criticize the State. They alone can appeal to something more holy than the gods of the city.
I typically get around to most major cities at least once a year. I think people see that as their chance to go nuts for the year if they're into the style of music.
I'd take about 40 thousand CDs, and then take about three full vans of people to hit every hood, every mall, and every club. Just hit one city to the next.
London is like no other city I know in its ability to become beautiful. You can suddenly turn a corner and there are odd moments - of light, of weather.
Those who remember New York in the 1970s, as I do, look back on a city that had hit a very rough patch - decaying, bankrupt, and crime-ridden. But fun.
I like the sense of the road passing my eyes. It's always a fascinating experience to come into a new city...the sense of the people changing, the food changing, everything changing, the art.
I think it's really hard to work in a city where you live too, because I get so absorbed with the movie that I become a bad friend and a bad participant in my own life.
I usually like to get people in because I don't have a band or anything. In cities where I have friends, I try to get them to come out and dance for me.