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It is quite different, but I love doing a series because you get to live with a character for a much longer amount of time. And the other aspect of it is that you have a steady job.
Doing 'White Collar,' quite often my character goes undercover, so therein lies the compounding of the imagination. I get to play Peter Burke and then someone else when Peter Burke goes undercover.
The habits of feeling, action and judgment that comprise good character depend on personal self-discipline and powerful aspiration to become a good person, all of which must be drawn from within.
If Bruce Springsteen, Harlan Howard, or Tom Waits can tell a character's whole story in four minutes, maybe you don't need as many words as you think to make an impact.
I guess because I pay so much attention to the physical part of the character, I don't look upon it as like Charlize Theron up there. I don't think of them as like Charlize Theron films.
In the initial season of a show, you're figuring out your character and their life and their background and you're putting together all the chapters of the book.
If the show encourages an audience to ask the question, "Is this character's emotional response to this situation valid?," then that's a really good question to ask.
Noah Baumbach writing is really wonderful. I think the way he plays out each character with a unique voice is really impressive, and rhythmically his dialogue works.
It's my opinion that if you're trying to tell a realistic story that centers around realistic characters, you can't help but touch on important issues. Those issues are what make us human.
At the heart of Christian ethic is humility; at the heart of its parodies, pride. Different roads with different destinations, and the destinations color the character of those who travel by them.
And from that hour his poor maimed spirit, only remembering the place where it had broken its wings, cancelled the dream through which it had since groped, and knew of nothing beyond the Marshalsea.
I spent a lot of time playing in miserable places that were not a lot of fun. Somebody once said it is character building and I was like: My character is just fine.
There are such things as consecrated griefs, sorrows that may be common to everyone but which take on a special character when accepted intelligently and offered to God in loving submission.
It was fun to talk too much [as Jebediah Woodley], to keep running your mouth whether the other characters want to hear it or not. That's part of what made this guy fun.
If I love the character and if I love the story, and the character requires me to be shirtless, or if it requires me to lose 30 pounds, I'm ready to do it.
I did a movie with Leonardo DiCaprio, and his skill level was eons ahead of mine. It was really more like an abattoir - he just slaughtered my character over and over again.
It's so difficult, particularly with an antisocial character. It's much easier if he's already a blank page, but once you've written on him, it's hard to keep him that stripped down.