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It's like having children. You give birth, but then they take on a life of their own. That's what actors do for characters. It's pretty amazing.
My personal life, my normal life, is so important to me. To be able to go back to my personal life and leave characters behind is important; I don't keep them with me.
I think I'm very strong at dialogue, I think I'm very strong in characterization. I think sometimes I use dialogue and character work to cover weaknesses in my plotting.
I always thought Cheers ended well. You always anticipate that the characters, theough they're leaving television, will somehow go on in another world of the imagination, which I think is good.
I'm really trying not to feel I'm getting spoiled, because the way I look at it, since I'm not a main character of any of the movies, I realize just how fortunate I am.
I think that different actors bring different qualities to the Batman character. It's such a wonderful mantle to put on that I think it's a lot of fun for different actors to see how they play it.
The nice thing about a video game is that you can explore the dimensions of a character so much more deeply than you can in a television show or even in a movie.
I've always been way more attracted to playing imposing characters than the hero. I've always been more intrigued by Iago in Shakespeare than playing Romeo. That was always boring to me.
I'm really open to anything that's good. If I read something and it's good, and I like the director, it never really needs to be a specific type of character.
I was thinking what I usually think about when I write: what the next word should be, whether my character should be an emu farmer or a wallaby farmer, the searing pain in my right temple.
I think that there is no doubt that every experience you have in your life, whether it's playing a character or something else, you bring that to the work.
Phonogram is the memory of a long period in my life through a surprisingly small filter. Those characters are basically the golem who accompanied me on that decade and a half.
I know that sounds contradictory - you're going on a journey, but once you know who your characters are, you become more disciplined and you film less and less.
Is it more important to make sure that you have another Clinton or a woman in the White House than it is to have somebody who is a morally sound character and judgment?
You don't encounter anyone who is not hero or villain of their own story. If it's man vs. self, you have to explore the ways each character is villainous and heroic.