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It is hard work to give life to new characters every single day. It is not as if I am God. I am just a tired, middle-aged woman trying to keep going.
I've got a New Zealand film coming out here called Out of the Blue. It's a very heavy story, and it's the first time I've played a character who is alive.
I love family. In this movie [Everybody Loves Somebody], my character is a successful OB-GYN and yet she goes back to her teenage years when she's with her parents. Like, that's me.
I also really pay attention to whether the script embodies a full female character or if they're just wanting a two-dimensional objectified woman. So I also have that aspect to take care of as well.
[The main character] is in a forever-growing process. I feel the movie [everybody Loves Somebody] did that very well and not finishing off as "a woman's life ends when she finds the right guy".
I guess it's easier to get things made when you know the story you want to tell, you know the characters you want to play, and you know the filmmakers you want to tell them with.
We are talking about someone who has lived. It must be honored in every respect. The fictional can take any kind of channel - according to the actor's marriage to the character.
With fiction, the works of women are often over-interpreted as autobiography, especially when the main character is a woman, especially if she is seen as privileged.
There's a little bit of me in all of the characters I've played. I've never really had the opportunity to play something that's a complete departure from me.
It is always sad to write about prejudice, but sometimes when we see it being played out in the lives of fictional characters, we can recognize it in our own lives.
Some of the newer folks in the industry, I'm not sure they are familiar with the term acting. They don't understand what it means to play a character rather than just be a personality.
There's a conventional reaction when you see a star: You anticipate he'll be a part of a particular denouement down the road, so you don't worry for that character.
Taking on an iconic character is difficult, sure, people associate different actors with a character that you're playing, but there's something in rehearsing and developing a new character.
A lot of actors are like, 'Why do I do this? My character wouldn't do this? This doesn't make sense.' And in a comedy, you kind of just need to walk into the door.
I love everything. I love being the empathetic characters. I love being the villains. I think it's like when we're kids, we like to play all kinds of crazy characters and dress up.
Keep integrity and your work ethics intact. So what if that means working a little harder; an honorable character is your best calling card, and that's something anyone can have!
The way I prepare is through script analysts and back story. I create back story for a character based on script analysts, filling in as many details as possible. I also do a lot of research.
I try to keep myself in what I'm doing and focused on character stuff, as opposed to getting wrapped up in worrying or being nervous. It won't benefit me, in any way, to focus on that.
A lot of the time, I won't read the script until my second or third audition just 'cause a lot of the scripts are the same and the characters are the same.
With each movie [Twilight saga], we went in trying to explore that character a little deeper, or in a different sense. But, at the same time, there was a comfort in knowing that you know this person.
I tend to get cast as a certain type of quiet, almost introverted person who's strong on the inside, but the characters are so very different I don't see it as any kind of typecasting.