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I've always had difficulties with female characters.
Any character you play, you're on his side. You do have the third eye that looks at what an appalling creature he is, but you have to look at what's good about him.
My last two characters have been Denethor and Walter Bishop. Both will be hard acts to follow. That sits in the hands of my managers, at present. I just have no idea what's going to be offered to me.
'Fringe' is essentially a love story, so the scenes where Walter had close connection with Peter, but also with Anna's character or Jasika's character, were very special to me.
I don't write [screenplay character] biographies beforehand. I usually go in knowing some sequences: this is where I want to start, this is where I want to end.
You don't have to underestimate your audience anymore. They'd actually like to laugh a little bit. So, the character came to me and once it's got its grips in you, there's nowhere to go.
In a series, you really need to stay open-minded. It's not like a play or a film, where you can create and fully commit to your character's back-story.
There is no such thing as an impartial jury because there are no impartial people. There are people that argue on the web for hours about who their favorite character on 'Friends' is.
I was very conscious of race as I was writing. I was lucky to have spent real time in Portuguese Africa, but I am white and my main characters are white, outsiders at sea in the "Dark Continent."
When you do your comedy and your drama, your acting style doesn't change. If it's a comedy, the situations and the characters might be a little funnier, but you're just trying to be honest.
An abundance of Twitter users believe they can troll and rant with impunity, no matter how debasing or even threatening their 140-character posts pose.
That's a long way of saying no, I'm always too bound up in thinking about the characters in whatever I'm working on and trying to make good to dwell on characters from previous books.
I would rather portray the hero, if it's a really great film. All my favorite fictional film characters are heroes, such as in "The Last of the Mohicans" and "Robin Hood."
When Rolling Stone handed me this crazy assignment to be in the studio with James Brown, they had the misapprehension that I'd written for them already just because I claimed my character had.
You don’t have the slightest idea of what it means to write a scene and a character in the English language, with images and words chock full of received meaning.
For me, the attraction of TV is that you continue to get to tell those stories and refine those characters. The other thing is that TV, in the last years, got really, really, really good.
You have to defend your character. That's your job, if they're hiring you. That doesn't mean you can't collaborate, but you do have to make some big, bold choices. We do that in real life, too.
Life appears in a vast variety and innumerable succession of individual forms, since the most salient character of the universe is just that it ceaselessly gives birth to living individuals.