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Theatre is liberating because it only works if it's truthful, That's what it requires. That's not true of film: the camera does lie.
It's quite liberating to have a director stand beside the camera and say: "Do this now, and do that now..." It's also a bit sordid but it liberates an actor, I think.
In the car and in front of the camera I tend to be very calm but behind the scenes I can get fired up and passionate, I just don't see the need to shout my mouth off in public.
Acting time is like flight time: You can work on a simulator, you can rehearse, but unless you're really in front of the camera or on a stage - that's when you really learn how to work it.
Having done stand-up on television and in stand-up specials for like Comedy Central, you learn quickly that for that type of performance you're playing to the camera.
I always just wait for the right material to come to me. Many times people ask, "What have you been up To?" Well, I'm here and working. Just not in front of the camera as much as I'd like to be.
Making a film of a work you've played for six weeks gives you intimate knowledge of the character. By the time you go in front of the camera you've worked out the behavior and life of a character.
I definitely knew that I loved acting from the very beginning. I was such a ham growing up. Wherever the camera was, I wanted to be right in front of it.
My stepfather gave me a Kodak camera when I was 17 years old. I started working at a local photo store in Le Havre, France, taking passport pictures and photographing weddings.
If fact were enough, you could take a photo of the subject. Unlike the sensitive observer, however, the camera never selects or comments, never adds or subtracts.
I started out making skateboard videos. Soon, it dawned on me I just wasnt that great at skateboarding. So I put down the skateboard and just kept going with the camera.
The camera is a natural attraction for a politician. And if a camera is here, we're going to be here. And we're going to say something, even if we have nothing to say.
I've always been the goofy kid. Growing up, I always enjoyed the comedic aspect of relating to women. Even on camera, it was always the funny take on it.
I have always said that the best training to be a TV newsman or anybody on television is to do a children's show because you are oblivious to the fact that there is a camera there.
You should never use the camera to make your pictures. You use yourself, your experience to make the picture with the camera. Not the other way around.
You try to become the character that you're working with. So for me, I try to block out the cameras and try to trick my mind that this is actually happening.
I think most artists would agree, it's one thing to be playing in front of a crowd that's loving it, it's another thing to add cameras, but it's a really cool trade off to be on television.
Whether I'm in front of the camera, behind the camera, at my computer writing a novel or a screenplay, as long as I get to entertain someone out there, I'm happy.