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It is as if the ordinary language we use every day has a hidden set of signals, a kind of secret code.
I came from stage in high school, and on stage you kind of overdo with putting on a character a little bit. Sometimes you become a character and sometimes the character becomes you.
Writers are the custodians of memory, and that's what this chapter is about: how to leave some kind of record of your life and of the family you were born into.
Every now and then I'll think of something to put back in the show. I just kind of play it off the top of my head. If I do it that way it keeps it kinda fresh.
People tend to believe that I want to make soul music, which is not entirely untrue but, really, I want to be like the black Tom Waits - I don't want to make one kind of sound.
Songwriting is reliant on inspiration, which ideally you don't have that much control over. Songs kind of half make themselves, and then you have to finish them.
But I've always felt a need to have a life which is completely separate - at least as far as possible - from the kind of illusory lifestyle that comes with being a celebrity.
I preferred to set off and perish in search of my own kind than to live a lonely half-life of physical comfort and spiritual death on this murderous island.
We created a thing called culture and civilization, and now we're about to lose it because we're trying to destroy everything. And I kind of miss it. I miss culture and civilization.
One time a reporter asked me what my worst quality was. I looked him in the eyes then punched him in the face. I kind of felt bad about it later, but he didn't need to be rude.
I was always looking outside of myself for stories and ideas and influences and then I kind of realized in 2010, that all of this time, I've developed a "sound." And I've never fully explored it.
I'd like to be able to do complex math in my head. Any kind of adversity and I become very anxious, but if you're a robot, you have good equilibrium. I wish I was cooler under pressure, like a robot.
I wouldn't say music is my passion, or my calling, or anything like that. I mean, I don't really believe in that kind of stuff. Life is a series of chance happenings, so I just fell into it.
I think that when people download the record they're kind of missing out on part of the experience, because it's really meant to be an immersive experience.
In college, I won the Irene Ryan; it's kind of like a collegiate Tony, which got my career going. I was honored. I won a fellowship to the Kennedy Center, and that's where I got my agent.
I think it's always good when you're able to, as an actor, allow your work to be some kind of a conduit for social discourse, and an examination of where we are, as a society.
don't mean to sound weird but I get so immersed in the source material when I'm working on a movie that I kind of lose the line between what I thought of and what was in the book.
To me, these kind of everyday miseries act as a fatal disqualifier. My sunniest beliefs are basically contingent on the fact that my child is not dying of cancer right now.
I love to dance, and sing - in the shower, not in public. Im too old to go raving, but my fondest memories are of that kind of thing - dancing, with lots of people, outside if possible.
Acting alone in a world that's alive in political stirring is to condemn oneself to isolation and probably protracted warfare of the kind that can be dissipating.
L.A. is a kind of a landing place for some people. People are just in and out all the time. People are there for a short time until they get what they need and then they go somewhere else.