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At the very core of what a comic is, time and space are kind of the same thing. When your reader moves her eyes across the page, she should be moving through time in your story.
I believe men's faces come in two kinds: Faces that need a blade, and faces that need an electric. I never was happy with an electric. I became pizzaneck.
For so long I didn't have any kind of readership at all - I'd get published, but not read - the idea of writing for an audience is so anathema to me, it's never bothered me.
I've never been much drawn towards satire of any kind. I don't like that style whereby you kind of stitch people up. But the deeper thing is that I just find these people so impressive and admirable.
He who says he hates all kinds of flattery, and says so in earnest, has undoubtedly not as yet become acquainted with all kinds of it, whether in substance or in form.
I've never been able to reuse characters, I've often wanted to. I've never been able to get people to cooperate. I can't get anyone together on any kind of deal.
Happily there exists more than one kind of beauty. There is the beauty of infancy, the beauty of youth, the beauty of maturity, and, believe me, ladies and gentlemen, the beauty of age.
...compelling outdoor imagery always combines some kind of personal connection to nature and skillful technique. The former seems to be a form of grace, and the latter an act of the will.
The modern Australia, the Australia of the 21st Century, Malcolm Turnbull's Australia has nothing to do with the kind of protectionist and xenophobic attitudes that Pauline Hanson represents.
I became a guy who wanted to be a comedian someday, or a comic actor. The way I put it was, I'll be like Danny Kaye. He was kind of the model I had in mind.
You ever notice that? Any time you see two groups of people who really hate each other, chances are good they're wearing different kind of hats. Keep an eye on that, it might be important.
... there is a lightness about the feminine mind--a touch and go--music, the fine arts, that kind of thing--they should study those up to a certain point, women should; but in a light way, you know.
I still think that there's some kind of psychological investment in black athletes carrying the flag for "us" at times. So, sports [remains a] metaphor for struggle and triumph and flair.
I grew up in San Francisco. And so I'm informed in a certain kind of way about, you know, believing in democracy and believing in America. And I'm a very ardent patriot.
For 'Star Wars' I had to develop a whole new idea about special effects to give it the kind of kinetic energy I was looking for. I did it with motion-control photography.
I find it difficult enough as it is to keep some kind of normality in my life. I enjoy this experience, but I don't know where I'm going to take my career.
It's kind of funny to read the work of ex-Marines and soldiers because what they said to me as a reporter was only a fraction of what they were thinking and feeling and saying to one another.
Even when the faith goes away, there's that space where you crave something bigger than yourself. For me, that's kind of where art came in, after that.
It is very easy for us to go, you know, "I am being cruel to be kind," when really we are just ... being cruel. Because it makes us feel big, or whatever.
If you think of a work of fiction as a kind of scale model of the world, then the positive valences - where things turn out better than you thought they would - ought to be in there somewhere, too.
I am always considering the reader. Although this is admittedly kind of odd: Which reader? On what day? In what mood? For me, that "reader" is actually just me, if I had never read the story before.
I'm turning 58, and you get that kind of weird, old-guy feeling of you don't have an infinite number of years left and if there's anything you want to say or represent, it's time to try it.
In the absolute sense - kind of from the God's-eye view - God might feel like, "I made this thing that has all of that in it, all the horror and all the beauty."