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What actors are good at doing is walking into a situation that should make you incredibly self-conscious and frightened and doing it anyway. That's the gig, pretending that you are comfortable.
I don't watch rushes. My whole thing is to try to stay in the moment with the other actor, and to let it all hang. I'm not sure I'm right on that, though.
I have seen no men in life loving their profession so much as painters, except, perhaps, actors, who, when not engaged themselves, always go to the play.
If you think about filmmaking as an entire spectrum, starting with the writer and ending with maybe the marketing department, the actor's contribution is a rather slender band.
I do like taking on responsibility, sometimes too much. But I was aware of that early on and it's something that came up in the previous set of interviews, and that is the actor‛s contribution.
Getting the correct writer is simply like casting. You wouldn't hire an actor in order to tell him how to work. He knows how to work, which is why you hired him.
Actors are players and if they're hot, or onto something, you let them go, or you and the actor can both get on to something. I always run out with lines as I think of them.
For me, honestly, I'm an actor. There's one thing I know how to do - act. And that's all I know how to do. Through our work, [actors] can trigger awareness.
Actors do these really gross, gun-'em-down movies, and I always wonder why. They're not good movies. And it's like, "Why are you doing them? Aren't you rich enough?"
If some actors were more realistic and others bordering on caricature, that would have been imbalanced. It would be as if we saw an airplane in a 3 Musketeers movie.
I acted when I was a real little kid. My mother was an actress in a Miami theater company comprised of actors from Cuba like her and I was the default kid.
I don't even like the show that much, I mean, it's about doctors. It's not like doctors are as important as actors anyway, I bet I've saved more lives with my acting talent then any doctor has.
I'm sure lots of actors and creative people go through this, where you have some weeks where it's all going according to plan and some weeks where you're super frustrated.
When I got out of school, it used to be that it was theater actors that ended up doing film and television, and you had to come from the theater to be taken seriously in that world.
I think it's always good when you're able to, as an actor, allow your work to be some kind of a conduit for social discourse, and an examination of where we are, as a society.
My job as a double was always to put [actors] at ease. My job was to make my character, or the actress that I was doubling, look as badass as possible by being there.
I had to paint the picture that I was never scared, otherwise I couldn't do my job. But now, as an actor, I'm literally paid to look emotionally accessible.