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All my good friends are actors, really. It's different when you have a family, but they're still the people I meet most often. My best friend is Ian Hart, but then I've known him since I was five.
I don't like talking about myself. I'm not really interested in myself. One of the good things about being a supporting actor is that you get to talk about other people.
I seem to be able to disassociate my insecurities. I know a lot of actors - some of the best actors in the world - can't bear to watch themselves and I have to say I can't relate to that.
One of the occupational hazards of being an actor, the reason why so many actors are insecure, is that the only way we know we're good is when other people tell us.
There was a time when television was sort of frowned upon among people who wanted to be serious artists. John Travolta kind of exploded that. He was one of the actors who made that go away.
I didn't need the insurance. I do it again if my DP tells me it didn't look good in the camera or if the actors didn't hit their marks. But if everything was working why do it again?
I think when I work with actors it's all about a process of learning to be private in public, instead of performing in public. Which is what women do: we perform, especially our sexuality.
I'm thrilled because I think that, you know, everyone has gotten what they wanted. You know, I just wanted to be (there) surrounded with the best actors period.
I'm too grateful that I continue to grow as an actor. I hope I get better. I feel like I am. But it's a roll of the dice every time you make a movie. Nobody knows.
The second season is generally easier do because you know the actors better and they know the characters better and if everybody likes each other you can really go all types of places.
The first movie I saw where it convinced me I could be an actor was 'Mean Streets,' so whenever I see Robert De Niro and he says, 'Hi, Denis,' it's still a really big deal.
With any actor, if you know your character well enough, you'll know pretty much what he would say under any circumstance, or whatever situation might rear its head.
With a screenwriter and with the actors there is always an environment of trust. You can say anything, all your secrets, and you know that it won't get out of that room.
It's tricky with monologues, and I never like to use that word. Like I told the actors, you are talking to somebody; there is no such thing as a monologue.
The number one reason for the death of young actors' careers is people get so used to seeing them playing that one character that they can't accept them as anyone else.
I always say writing is like dreaming, shooting is like living, and editing is like murder, because you take all these gifts that actors give you, and you cut them.
I want what's mine. I see other actors who are doing very interesting roles, and I just want to continue to do things that are interesting, and things that people will go see in theaters.