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I have made decisions based from purely an actor's point of view.
I had never done Shakespeare before, but I don't think you can be an actor and not do it. There were moments when I thought, I'm just not going to be able to pull this off.
I could be making a lot more money now if I had chosen a different kind of movie, but none of that matters to me... I've done the parts I wanted to do.
I have a theory. An audience doesn't need to get wrapped up in blackness every time they see a Negro actor. And a movie doesn't have to be about race just because there's a Negro in it.
It wasn't as though I really made a commitment to it; there wasn't anything else around. So I wasn't driven to become an actor.. it just seemed to be the thing that I managed to do best.
A writer can write in an attic, or on top of a bus. Or with a sharp stick in some wet cement. To act, an actor has to have words. A stage. a camera turning.
I don't want to be a star. If you have to label me anything, I'm an actor - I guess. A journeyman actor. I think 'star' is what you call actors who can't act.
I'm an actor. Whether I'm on stage, in front of a camera or a microphone, what I do is the same - although with videogames it requires a lot of imagination.
It's always hard as an actor I think to be just on the set and have the kind of confidence to be like, 'Yeah, I did that. That went perfectly. That's great.' That's more confidence than I have.
I did seven indies because the independent market used to be a lot better before all the stars were doing independents. As a beginning actor, that's where you started.
Actors want to do Shakespeare again and again, or want to do Hamlet. When you hear one guy do Hamlet and another guy do it, it's going to be a whole different experience.
I'd say working on television is much, much tougher than films. But television has a great connect with a live audience, which is a refreshing change for us actors.
Everybody has his own theatre, in which he is manager, actor, prompter, playwright, sceneshifter, boxkeeper, doorkeeper, all in one, and audience into the bargain.
In my collection, to me at least, the theatre of the past lives again and those long-dead playwrights and actors have in me an enthralled audience of one, and I applaud them across the centuries.
I'm living in Los Angeles, I'm in films and I'm on television, and I'm working with actors and telling stories. I'm living the fantasy. My worst day is a great day.