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I was really disappointed that Warner Bros. didn't think highly enough of my film or my filmmaking to ask me to make the new Superman.
I've never been competitive with other actors. I've been competitive with myself and I'm my own worst critic, a terrible critic I am, and unless I get something right, I feel very unhappy.
I'm an actor, and everything about me - the way I perceive things, the way I have seen the world - has been in relation to characters and how I would want to play something or not play it.
The whole point of being an actor is to get satisfaction out of a role -- unless you're just vain about celebrity. You're always looking for the one thing that will surprise you.
In the editing room, 20 percent of the time you're using stuff from before the actor knew the camera was rolling or you're taking a line from somewhere else and putting it in his mouth.
The dilemma of Brechtian performance is that, for all of Brecht's emphasis on rationality and the undermining of theatrical illusion, the actor must convincingly portray something that she is not.
The big issue with rock stars becoming actors is that sometimes it's not believable, and vice versa with actors becoming rock stars. Sometimes just doesn't fit.
Only one of us would usually sing lead. Which most of the time was, Mickey or Dave. They thought it was perfectly a natural routine, because Mickey and Dave saw themselves as TV actors.
I'm not one of those actors who needs the media spotlight all the time to feel gratified. I'm happy to do one project a year and take the rest of the year off as long as that project is special.
I love involving actors at all levels - and they have to know that I want to hear their contributions, with dialogue, with story suggestions, with script changes, whatever.
I usually don't say anything to the actors. It works better for me because when they come to the set, they are at the same time scared and excited because they are not well aware of what will happen.
What I hope is that I don't just become 'Peter from The Lion, The Witch and The Wardrobe.' I want to try and do something else to be a good actor and a respected actor.
I want to aspire to something like what Denzel Washington does, which is try to find scripts written for white actors - or Jodie Foster, who reads scripts for male actors.
I have the absolute utmost respect for soap opera actors now. They work harder than any actor I know in any other medium. And they don't get very much approbation for it.
Acting with creatures that aren't there is kind like acting with an actor who refuses to come out of his trailer. You still have to go on and do the scene.