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People imagine that actors are being offered everything and you are not. So things come in and sometimes there are things that I want and can't get a meeting on, or go to a different actors.
I don't think a lot of actors talk about it, but there's usually a process where you essentially purge yourself of the character that you played prior to the movie.
When becoming a character, you have to steal. Steal whatever you see. You can even steal from other actors' characterizations; but if you do, only steal from the best.
I'm an actor. I can do whatever I want. As an actor, not everything has to be the most obvious choice. And sometimes, the best thing you can do is to defy expectations.
If you make the right choice in casting, your work is nearly done already. You don't have to spend a lot of time directing the actors, because they're so well suited to the parts.
It is interesting to be here and to see that for certain actors they have to live in a way that you think of nobody living anymore except for in small towns. They have such elaborate double lives.
As an artist, as an actor, as a writer, you have to use what's personal to you. You have to be personal about your work; otherwise, it doesn't ring true.
I figure there are a few actors like Marlon Brando, George C. Scott and Laurence Olivier who have been touched by the hand of God. I'm in the next bunch.
I was brought up in a house full of women; the first time I realised no one was interrupting me was when I was on stage - that's probably the subconscious reason I became an actor.
The comedians I liked were Bill Cosby and Steven Wright, like just always as a comedic actor. I always liked Gary Larson, who's really funny for a cartoonist, obviously.
I think actors always retain one foot in the cradle. We're switched on to our youth, to our childhood. We have to be because we're in the business of transferring emotions to other people.
Excesses are essentially gestures. It is easy to be extremely cruel, magnanimous, humble or self-sacrificing when we see ourselves as actors in a performance.
The theatre is not the place for the musician. When the curtain is up the music interrupts the actor, and when it is down the music interrupts the audience.