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The difference between acting badly or brilliantly is not based on your ability, but on the state of your mind and/or body in any given moment.
I grew up performing and singing. And acting, the idea of it just sort of fell into my lap. And I was a little hesitant at first, but I was like, okay, I’ll try it.
We can be better, we can be wiser, we can be more kind. Yes we have to change. We have to grow up and stop acting like 10 years old. Yes there is much to do, much to see, much to go into.
I've been writing a lot, I've a few projects I'm trying to finance, I do some acting, I do some directing... Apart from that, if I could get lower than a 10 handicap on my golf game, I'd be thrilled.
I've been acting for many years now, and I find there's nothing I enjoy more than making films with my friends and people I like, who also are the funniest people around.
I like acting and things when I like the writing. If I don't like the writing, I don't like acting. I think in some ways everything starts for me from the place of writing.
Competition [in a scene] is healthy. Competition is life. Yet most actors refuse to acknowledge this. They don't want to compete. They want to get along. And they are therefore not first-rate actors.
Perhaps we could push beyond these legalistic gender roles if we spent less time worrying about “acting like men” and “acting like women,” and more time acting like Jesus.
The full acting out of the self's surrender to God therefore demands pain: this action, to be perfect, must be done from the pure will to obey, in the absence, or in the teeth, of inclination
I was lazy. I would have been a hell of a lot better actress had I taken it more seriously. I never had the proper respect for acting. Quite often, I learned my lines on the way to the studio.
You're in this constant state of flux and transition, as if you had jet lag all the time. The acting part of it is easy. It's all the other things that come with it that are a bit difficult.
I love the Elvis movies. I used to watch them. In every single one of his movies he wasn't acting as a car salesman - he was acting as a car salesman who loved to play guitar.
Juilliard definitely emphasizes the theater. They don't train - at all really - for film acting. It's mostly process-oriented, pretty much for the stage.
Most actors are starving. Most of us are walking around with a flashlight and tweezers looking for evidence. When you have someone that actually writes an acting role, it's rare.
When we cannot find a way of telling our story, our story tells us-we dream these stories, we develop symptoms, or we find ourselves acting in ways we don’t understand.