You have to have a strong title. It's got to say something.

You know, I had the ability like a catalyst to really get everybody hyped up.

I turned everybody on so, psychologically, I guess I was pushing the boundaries creativity.

We all had a desire and appreciation for such a wide range of music.

We played at a club called, the Elbow Room. Don Carlos, the nightclub owner, was very hip and a very important person who made a big impact on my life.

For me, naming bands was the forerunner to really writing lyrics, because I work off titles.

Mr. Fantasy was the only song that was scribbling on a piece of paper.

If you take the time away, you take the character away.

Far From Home was also my idea from a magazine I'd seen.

I think you do better when you are really up for it, cause passion goes up.

Traffic was very, very free. It was great.

People's most common regret was living the life others expected of them, rather than having the courage to live a life true to themselves, and realising some dreams had gone unfulfilled as a result.

Acting is something I appreciate, and I think it's been an amazing experience. But I'm not passionate about acting the way you probably should be to call yourself an actor.

As the twig is bent, so grows the tree.

If you pour your life into songs, you want them to be heard. It's a desire to communicate. A deep desire to communicate inspires songwriting.

It's not necessary to tell all you know.

I do like Eddie Van Halen as a player. He gets it right quite often.

I wanted my show to look like the fourth of July.

If I had to cram all my tournament experience into one sentence, I would say, Don't give up and don't let up!

It is necessary to write, if the days are not to slip emptily by. How else, indeed, to clap the net over the butterfly of the moment?

I want it to be 70 per cent beautiful, 15 per cent surrealistically beautiful, and the rest so beautiful that nobody can bear it.