There are only two markets, ultraluxury and subsidized housing.

Buildings are forms of performances.

In the theater, everything is ephemeral. Everything is almost weightless and without a very clear definition of how you made it.

I think architects tend to believe that they can almost do anything, which is a wonderful characteristic, but in some cases you just fall flat.

Im an expert on surfing the channels, so Im always able to find something strange. Or I watch C-Span. I can watch a conference on oceanography, or whatever, for hours.

Thought can never capture the movement of life, it is much too slow.

Man does not simply exist but always decides what his existence will be what he will become in the next moment.

It comes with it, this is my work and all the media thing is just a big bonus for me. I'm just enjoying being in the spotlight right now so it's not a big deal for me.

When I lived in New York, not only did I have safety locks on the door but I had the music going, keeping the city at a distance, trying to find creative time and peace and so forth.

Those that differ upon Reason, may come together by Reason.

I'm not trying to set the world on fire; I just want to make really beautiful clothes that women want to wear, can afford, and can really see themselves in.

He looked at her rather as a man looks at a problem that he would very much prefer to do without. She supposed it was a distinction of a sort to be a harassment to a king.

Everything is illusion. Even that last sentence.

Your ethnic or sexual identity, what region of the country you're from, what your class is - those aspects of your identity are not the same as your aesthetic identity.

I always have those feelings - lucky and blessed - and I don't know if they'll ever go away. I really hope they don't, as I think it keeps you grounded. That's how I feel about every film I do.