Sometimes I had to force the overpainting of three corners almost without any feeling for shape, almost without inspiration, only to find my way back, to get out of this hell.

The principles of my works... are the extinction of expression, permanent covering and contemplative tranquillity... My ideal is the completely dark picture, full of some overwhelming silence.

the 'total overpaintings' developed... through incessant reworking. The original motif peeped through the edges. Gradually it vanished completely.

Only an 'almost,' a 'nearly,' is possible.

... I felt like a new man; but I was disappointed with the photographic documentation because I still saw always the old self.

I have settled down in this border area; I am trying to find distinct standards of shape, and I long to experience, formulate, and evoke this dark, heavy, tranquillity.

You may hold the same feeling even after a long gap, but not trust.

The next thing is: we can make IBM even better. We brought IBM back but we're gunning for leadership.

You can't talk about peace nor agreement while terror is used as the main argument.

I have chosen to no longer be apologetic for my femaleness and my femininity. And I want to be respected in all of my femaleness because I deserve to be.

I have been a selfish being all my life, in practice, though not in principle.

Matt Hardy's quicker than a hiccup.

No, I don't like legend. I mean, I don't like the category. And to begin with, to me, a legend is something that is not on the Earth, that is dead

You build your mind, so make it into something you want to live with.

If I had train someone to fight Anderson Silva that would probably be my biggest challenge yet as far as being prepared for a striker.

We don't have to change our thoughts. We have to get beneath them, to the very essence from which they emerge.