Professionally, what comes first is representing the artist.Whether they're alive or dead.

The art market is global now, and theres becoming more of an international consensus about what constitutes good art.

I never really took a proper art class in college. I just started reading art magazines and going to galleries.

For me, collecting is sort of a natural extension of being an art dealer, because if you don't want to collect the artist, then you probably shouldn't be representing them.

The sun never sets on my gallery.

I play hard. So the critical stuff doesn't surprise me or bother me.

Working with younger artists kind of tests your judgment. You're not always right, but when you are, it's exciting.

I don't know what 'loyal' means.

The way you present your work has a lot to do with how people receive and regard it.

Honestly, I grew up in pretty modest circumstances. We were a middle-class family.

Emotions are powerful, but they also change as quick as the wind. That's why the Lord says to renew your mind. Don't base decisions on what you feel.

I got quite bored, serving in the bar. Since I was there, the customers wouldn't talk about women, and with half their subject matter denied them, it was: horses, silence; horses, silence.

If you want to relate to a certain audience or generation, you have to speak their language. I truly believe that.

If they had wanted to punish me, they should have kept me in a communal apartment. Then I would have become a wreck.

We are all of us obliged, if we are to make reality endurable, to nurse a few little follies in ourselves.

The reality of a poem is a very ghostly one. It suggests, it suggests, it suggests again.

Despising anything that was easy to achieve because if no sacrifice was involved, it obviously isn't worth having.

One must first learn to fall if one would fly.

True and False are attributes of speech, not of things. And where speech is not, there is neither Truth nor Falsehood.

Travelling fills me with dread.