If people would turn their TVs off for half the time, study science and practice an instrument, they'd be virtuosos and have Ph.Ds!

Camera-Phones are at the root of the Citizen-Journalism revolution.

Camera-phones are like nuclear power plants: bad people will turn them into evil, good people will put them to good use.

Trying to solve the worlds problems by making things 5% more efficient is like trying to play the violin with gardening gloves. Not much good will come out of it. We must invent new ways!

Every day I practise my flute. I've been doing it for decades and every day I find something new that inspires me for all the rest that I do in my days.

The power of Open Source is the power of the people. The people rule.

Too many are focused on rewriting the past, invent the future!

We focus on building innovation and inventing technology futures and we figure that it will take care of the rest. So far, it's done wonders.

Just like a picture is worth 1000 words, a camera phone is worth 1000 cell phones!

I build things that I think are exciting from a technology standpoint and will help make life easier, simpler and better for people.

Radically simplify the user interface, reinvent it, enough face lifts! You can put as much lipstick on a chicken as you want, it's never going to look good!

Sometimes I wonder who the real monsters are. The ones without the hearts or the ones who rip them out" - Bastion of Aberrants (In progress)

To sense which gifts to accept & which to leave behind is our path to discovering freedom.

You know, I look to myself mainly as a creative writer all my life and a medical doctor.

I love hiking in Iceland most, there are lots of brilliant paths.

How would you prepare to die on a perfect April evening?

Lethal Weapon 2 used the platform to talk about the apartheid system. That was a very important moment for us.

We need to figure how to defend higher education as a public good. If we can't do that, we're in trouble.

Inaction and indecision in the present is because of fear of consequences of the future.

I practiced on the greatest model of storytelling we've got, which is "The Iliad" and "The Odyssey." I told those stories many, many times.

Generally I wouldn't accept work on projects where I didn't agree with the sensibilities behind the main character.