I'd like to see the first act of Sunday in the Park with George, and the second act of Hamilton. Every day.

We haven't truly had a zeitgeisty, 'songs on the radio' show, since...I want to say "One Night in Bangkok" was the last musical theatre song that charted. That was so long ago.

Showtunes might be able to come back into pop music, which is something we haven't seen since the 50s and 60s. Everything is related to everything else because we're in such a niche industry.

We're just trying to restore equilibrium to the Universe, that's all.

And as ensemblists start being asked to do more things that require an insane skill set, that inherent value will, I hope, be held up where it deserves to be.

Time's going to pass anyway, so it's prioritizing what to do with that.

I think that a solid team, solid communication, is the number one thing in life at all times.

If things come up, we can say, "We're not ready for this, let's move some things around."

We remind ourselves that it's a hobby [The Esemblist]; nobody is setting these deadlines for us, except us.

I've never done Something Rotten either.

There aren't any fences to the imagination, and so there shouldn't be any for books.

You have my soul and I have your money

If I'd stayed on in London and carried on going to literary parties, it would have wrecked me as a writer.

It appears that my worst fears have been realised: we have made progress in everything yet nothing has changed.

I develop my own film. And I work in spurts. I pile it up.

The only victory that counts is the one over yourself.

Any good groupie loves the music so much it's part of the bloodstream

I was born in Norwich in 1946, and educated in England, Zimbabwe, and Australia, before my family settled in North Wales.

I never started out trying to be an actor. That was not my passion, this was not my thing.

I'm just happy that a couple folks still know my name, and that I'm still able to sell out venues when I perform live.