But I think people see 'Wallace and Gromit' as something akin to an elderly couple. These two know each other so well. Nothing can split them apart.

We can do things that we never could before. Stop-motion lets you build tiny little worlds, and computers make that world even more believable.

I think we all have a Wallace and Gromit inside us. Wallace is the part that has wild plans. Gromit is the sensible side, reining you in.

Get out and make films. There are so many cameras now to suit any budget, so there are no excuses.

Americans like the British kind of quirkiness and the strange accent. They find it kind of cute or something, with a certain charm.

Gromit was the name of a cat. When I started modeling the cat I just didn't feel it was quite right, so I made it into a dog because he could have a bigger nose and bigger, longer legs.

After studying in Sheffield, I went down to London to do my post-graduate degree at the National Film and Television School, embarking on the movie that would eventually become 'A Grand Day Out.

My father, an architectural photographer, was an incurable tinkerer, maker and mender.

There is something about the Australian psyche that seems to like films that are slightly offbeat.

The nice thing about animation is that you can realise your inventions without understanding all the hard theory.

With some CGI, I think the brain slightly perceives that things aren't real. There's no gravity, the light's not quite real, the shadows aren't quite real.

I’m not denying their kindness, ” said the Rani. “But after all kindness isn’t the only virtue.

What happened in the past that was painful has a great deal to do with what we are today, but revisiting this painful past can contribute little or nothing to what we need to do now.

They don't want to see rap music. They don't want to see the Beastie Boys. They don't care what we're doing. They want one thing and one thing only: that's to see Madonna come on stage.

I can look at something that others (might not) and I can see the value in it. I can make that film a film that everybody wants to see.

Once you sacrifice your rights, it's hard to get those rights protected again.

I really only did theater in school in college. I did summer stock a couple of times in the summer, and plays that the school put on. But I knew I wanted to be in movies.

My designs and labors and aspirations are my only friends.

Always shoot it now. It won't be the same when you go back.

For those who say I can't impose my morality on others, I say just watch me.

It is well there is no one without fault; for he would not have a friend in the world. He would seem to belong to s different species.