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Unjustly poets we asperse: Truth shines the brighter clad in verse, And all the fictions they pursue Do but insinuate what is true.
It's fiction's job to express how it feels to be living now, and it's a complex feeling, full of contradiction. To me it often feels like a brutal trivialization of reality.
Fiction, I believed, was the transmutation of experiential dross into linguistic gold. Fiction meant taking up whatever the world had abandoned by the road and making something beautiful out of it.
I can't stomach any kind of notion that serious fiction is good for us, because I don't believe that everything that's wrong with the world has a cure.
For me, the fiction writer's job is to take the small, stupid process of learning to use an iPhone - and suddenly you're the guy who's asking your daughter, "When I go on Facebook, can it see me?"
When somebody you've known for 20 years, and with whom you have a full context, winks at you or whatever, it can be huge. I think in a sense what you're trying to re-create in fiction is that.
I'm all about nonfiction. I rarely read fiction. I like to read about things that really happened, facts, real life situations. That's what inspires me.
I'm really aware that in fiction, women are pretty much equal. There's a lot of very successful women novelists. Not so much [for women writers working] in film.
I watched a documentary about the immigrant crisis around the world. And it does make me blush at all the times I've stood up on the stage and given your speech about the healing power of fiction.
I think poetry is the best thing I do. It's certainly the purest. I seem to switch gears without too much trouble. Non-fiction is in many ways the easiest to write.
The euro currency both presupposes and promotes a fiction - that 'Europe' has somehow become, against the wishes of most Europeans, a political rather than a merely geographic expression.
Think of my movies as heightening our awareness, not confusing the difference between truth and fiction, but heightening our awareness of how confused we can become about what is real.
The times are so peculiar now, so mediaeval so unreasonable that for the first time in a hundred years truth is really stranger than fiction. Any truth.
I think to write fiction, this is just how I see it, you have to have a powerful need/desire to connect. I can't. Wanting to and not being able to has lead to a lot of misery in my life.
Jax Cassidy is a brilliant new voice in contemporary fiction. Full of heat, seduction, and romance, her winning characters are sure to capture your heart and find a place on your keeper shelf.
I was thinking about the legacy of ghosts in fiction, and specifically the moral power of those Dickensian ghosts. Because a ghost can be a very powerful but also manipulative element.
It's all just fictions anyway. We do what we do and then we make up reasons for it afterward but they're never the true reasons, the truth is always just out of reach.
My writing of fiction comes under a very general heading of those teachers, critics, scholars who like to try their own hand once or twice in their lives.
I do write fiction, and I find it more difficult, but also more liberating. On the one hand, you can make up the story, but you have to make up the story.