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I'm a complete and utter fiction. Then again, we all are.
Fiction is risky for writers also in that the process of making certain books, of shaping certain narratives, leaves scars and marks on your inner life.
Kamby Bolongo Mean River is an original and fearless fiction. It bears genetic traces of Beckett and Stein, but Robert Lopez's powerful cadences and bleak, joyful wit are all his own.
I think the role of science fiction is not at all to prophesy. I think it is to tell interesting, vivid, strange stories that at their best are dreamlike intense versions and visions of today.
In the field of fantastic fiction, the question of world-building is not uncontroversial. But I grew up with 'Dungeons and Dragons,' so that whole world-building thing is very close to my heart.
The fiction of happiness is propagated by every tongue and confirmed by every look till at last all profess the joy which they do not feel and consent to yield to the general delusion.
You can start a documentary with just a camera, as opposed to a fiction film where you need actors, a crew, a script, a lot more start-up resources. It may be self-perpetuating.
If you are inclined to leave your character solitary for any considerable length of time, better question yourself. Fiction is association, not withdrawal.
Words have great cumulative power, but in the 21st century, a single image is much stronger. An image suggests the unvarnished truth. That is its power and its fiction.
I grew up treating a life as a writer as a career in letters, one devoted to many kinds of writing. And so it seemed normal to study both fiction writing and the literary essay as an undergrad.
That's the fine balance of a fiction writer...to be able to give your characters enough freedom to surprise you and yet still maintain some kind of artistic control.
I consider myself an essayist and a fiction writer. In the essays, I certainly have been influenced by some of the leading science essayists. Like Loren Eiseley, Stephen Jay Gould, Lewis Thomas.
In fiction writing ideas have to be handled extremely carefully. You can't let your characters just be mouthpieces for your ideas. They have to live and breathe on their own.
If you look at the best-seller list for American fiction, they're all sequels to detective stories or stories about hunting serial killers. That's what's called American fiction these days.