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When you write something it has to hit the level that you accept as being good.
The key thing is, don't worry about if anyone is reading you or not. Figure out your voice and figure out what you want to write about, what you're good at, what you like doing.
I write a song to be recorded. And to some extent to be performed, but definitely more to be recorded than performed, because the recording will last longer than a performance.
It's good when someone says, "Would you write a song for this purpose," or "would you record a song for this purpose," or "would you help me realize this song," again, for this purpose.
I love words but I don't like strange ones. You don't understand them and they don't understand you. Old words is like old friends, you know 'em the minute you see 'em.
In an idealized world, we would all be able to do what our English teachers told us to do, which is to write beautiful prose where enthusiasm is conveyed by word choice and grammar.
As for critical writing about modernism, its moments of lucidity are but fulgurations illuminating the dark and incomprehensible landscape of its subject's unabashed difficulty.
I always wanted to write fiction. Always. As far back as I can remember it's been integral to my sense of myself - everything else was always a displacement activity.
I'm very happy for whatever plaudits might come the way of my work, but I never ever sit down to write x with y in view - whether it's a reader, a prize or a sale.
Unless you're writing for a humorous effect, elves or space aliens and all creatures who aren't human should at least be as strange as, oh, the French.
Your vivid, exciting companionship in the office must not be your audience, you must find your own quiet center of life, and write from that to the world.
When you write, you can hide behind your words. When you talk, you are up front, like the clown in the midway booth; and passersby can bean you with a ball.
I'm not bashing people who write songs that are just 'get on the dance floor and party party', I understand why people need those songs too, but I don't really write lyrics like that.
O ay, letters - I had letters - I am persecuted with letters - I hate letters - nobody knows how to write letters; and yet one has 'em, one does not know why - they serve one to pin up one's hair.
It's the most satisfying occupation man has discovered yet, because you never can quite do it as well as you want to, so there's always something to wake up tomorrow morning to do.
Maybe half a dozen think they are a community, but, in general terms, I think English writers tend to face outwards, away from each other, and write in their own patch, as it were.
When I write, I love finding connections between ideas. When the connections are plentiful and strong, then I know it's a pretty good subject to write about.
Writers love to write those idiotic, long stage directions, and some of them worse than others. They have nothing to do with the movie. They're just jerking around.