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O why do I ever let anyone read what I write! Every time I have to go through a breakfast with a letter of criticism I swear I will write for my own praise or blame in future. It is a misery.
Between the wolf in the tall grass and the wolf in the tall story there is a shimmering go-between. That go-between, that prism, is the art of literature.
There is the first satisfaction of arranging it on a bit of paper; after many, many false tries, false moves, finally you have the sentence you recognize as the one you are looking for.
I love to write humor. If I could make a living doing it that is all I would write. The happiest period of my life is when I was writing the sequels to "MASH". I was able to ridicule everyone.
Hemingway is terribly limited. His technique is good for short stories, for people who meet once in a bar very late at night, but do not enter into relations. But not for the novel.
But what physician has not had patients who don't make any sense at all? To tell the truth, they're our stock-in-trade. We talk and write about the ones we can make sense of.
I probably have a higher opinion of my writing than the average person, at least when I'm in a good mood, but I don't really think of my plays as only being relevant to a particular month or year.
I'm a comedian so I'm not waiting around for someone to write a part for me. I don't have to wait for somebody else to create my next job; I have the ability to basically write my own ticket.
In itself, I spent a year writing, you know all these different songs and when it came to recording the record, I just pulled out all the tracks I liked the most.
The only true and effective "operator's manual for spaceship earth" is not a book that any human will ever write; it is hundreds of thousands of local cultures.
Take the whole range of imaginative literature, and we are all wholesale borrowers. In every matter that relates to invention, to use, or beauty or form, we are borrowers.
If there was no other motive in view [except] to have the privilege of reading over our journals and for our children to read, it would pay for the time spent in writing it.
The only reason I didn't kill myself after I read the reviews of my first book was because we have two rivers in New York and I couldn't decide which one to jumo into.
The seventies were my fattest decade. Overall I think the seventies were distinctly bulbous. People looked chunky, typefaces were rounded, writing implements penile.
The Stolen and Perverted Writings of Homer & Ovid, of Plato & Cicero, which all men ought to contemn, are set up by artifice against the Sublime of the Bible
Afraid lest he be caught up in a net of words, tripped up, bewildered and so defeated-thrown aside-a man hesitates to write down his innermost convictions.