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The chief glory of every people arises from its authors.
You may abuse a tragedy, though you cannot write one. You may scold a carpenter who has made you a bad table, though you cannot make a table. It is not your trade to make tables.
I can't stand it when people say, "If you're writing a novel, you should read this and that." Because it's like giving someone another person's prescription. How do you know that's what they need?
[Jorge Luis Borges] had short stories, and I was trying to learn how to write short stories, and then he had these things in the middle that were like fables, and I loved hearing fables.
I pretty much only write by default, because I want to make certain projects so instead of trying to wait and find them, I create them, but I'm not really a writer.
Every moment I choose to write about is one I have deemed important enough to dwell inside of and share with others. I am holding this moment up to the light and saying, "Wow, will you look at that?"
What I really value about being a writer is that I can go to rehearsal when I want to, and then, when I need to be at home writing or with my kids, I go home.
I don't know if you've ever tried writing a Doctor Who story, but it's a lot more difficult than it initially appears, especially if you've got more than one assistant.
I did not want to write a story about the invasion of Earth, so I had to create a race capable of living nearby, which meant to either on the Moon, on Mars, or on Venus. I picked Venus.
The reason I started writing movies was because I kept getting parts that I just kind of stepped into. I didn't have to do a lot of work and I ended up getting sort of bored.
Many poets write books. They'll tell you: Well, I've got my next book, but there are two poems I need to write, one about x, one about y. This is a wonder to me.
In writing of Indian culture, I am highly conscious of my own subjectivity; arguably, there is more than one Indian culture, and certainly more than one view of Indian culture.
There's so much writing I could have done and so many ideas that I had and so many things I wanted to work on that I didn't. I like too much having things in my head rather than doing the work.
And I'm a slow writer: five, six hundred words is a good day. That's the reason it took me 20 years to write those million and a half words of the Civil War.
I guess a witness is all I am. I think as a writer, you're pretty removed. Writing is a very selfish, individualistic pursuit. So in that sense I'm a witness because I'm not participating.
I am constantly amazed at how little painters know about painting, writers about writing, merchants about business, manufacturers about manufacturing. Most men just drift.
I'm not writing about things other women do. I'm writing for other women to have more self-confidence because I need it myself! And if more women were in power, I would feel more comfortable.
The first book is the book you have to write to get back at your parents; the book you always had in you. Once you get that out of your way, you can start writing books.
The part of my writing I find the most rewarding is when people write to me or speak to me in public to tell me how his or her life has been changed by my books.
All over America, people are making kamikaze choices about what to wear. They are misrepresenting the goods. They are letting their clothes write checks that their personalities cannot cash.