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Comedians kind of write what comes to them. You can give yourself little assignments, but it's what inspires you.
I'd wanted to be a writer and when I came back to New York worked as a musician too, but I found my writing starting to get more and more referential to cinema.
Every time I write something down I check it to see if it has that telltale glow, the glow that tells me there's something there. If it glows, it stays. Everything is either on or off.
The way I write things, I just write them with a clash between reality and fantasy mostly. You have to use fantasy to show different sides of reality; it's how it can bend.
My first notebook was a Big Five tablet, given to me [at age five] by my mother with the sensible suggestion that I stop whining and learn to amuse myself by writing down my thoughts.
It is not usually possible in a poem or a story to make the relationship between particular and universal fully explicit. Those who try to do so end up writing parables.
Naturally, people's image is of a performer, but the reality of it is the writing for me has always been the most important thing and the most rewarding thing.
How many words a day do I write? Between six and seven thousand. And how many hours does that take? Three on a good day, as high as thirteen on a bad one
I write every morning. Two hours. Then I take a break and become my own secretary for a few hours. If I am "hot" I write in the afternoon and at night too.
I love just going out; long drives, the ocean, my kids, new music, new gear, new plug-ins, coffee, and donuts at four in the morning. Even just waking up and writing.
A novel is a piece of architecture. It's not random wallowings or confessional diaries. It's a building-it has to have walls and floors and the bathrooms have to work.
At one point I intended to write precursor and sequel novels, about the establishment of the Web and its next evolution, but I am very unlikely to now; they would take place in a different universe.
Say all you have to say in the fewest possible words, or your reader will be sure to skip them; and in the plainest possible words or he will certainly misunderstand them.
Your audience is one single reader. I have found that sometimes it helps to pick out one person-a real person you know, or an imagined person and write to that one.
In a chemistry class there was a guy sitting in front of me doing what looked like a jigsaw puzzle or some really weird kind of thing. He told me he was writing a computer program.