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All stories are about wolves. All worth repeating, that is. Anything else is sentimental drivel.
Anything is possible on a train: a great meal, a binge, a visit from card players, an intrigue, a good night's sleep, and strangers' monologues framed like Russian short stories.
I was always drawn to Broadway musicals, and obviously composers like Gershwin, Rodgers, Berlin and Porter were writing music that I found wildly impressive.
Louis Pasteur said, 'Chance favors the prepared mind.' If you're really engaged in the writing, you'll work yourself out of whatever jam you find yourself in.
You do an awful lot of bad writing in order to do any good writing. Incredibly bad. I think it would be very interesting to make a collection of some of the worst writing by good writers.
I am conscious of trying to stretch the boundaries of non-fiction writing. It's always surprised me how little attention many non-fiction writers pay to the formal aspects of their work.
But when I started writing songs, I stopped painting completely, and the only art things I do are connected to the career, like album sleeves and, to some extent, posters and things like that.
Screenwriting is always about what people say or do, whereas good writing is about a thought process or an abstract image or an internal monologue, none of which works on screen.
Instead of growing old gracefully, at home with my family - reading and writing and praying and thinking - too much of my time has been spent at airports and in hotels.
I sort of was good at writing essays. I was never very good at mathematics, and I was never very good at algebra. I loved science, but I wasn't sure of it.
Sugar Ray and talked about doing some articles together or writing a book together but dealing with Sugar Ray was a lot like fighting him. He would fake you in and then he'd drop you.
I never think about a movie when I'm writing a book, because I think only two things could happen and both of them are bad. You write a lousy novel and a lousy film.
I think all good writing is a struggle. To write as well as you feel you can has to be a struggle, almost by definition, because you could always improve.
Writing songs has always been hard and easy. It's not always easy when you want it to be, and then sometimes it's just like turning on the faucet. That's just the nature of it.
I don't have a special place or ritual for writing songs, basically I write songs whenever an idea hits me, in my hotel room, on the road, in the plane.
I think if I had been writing fiction, where the work is entirely dependent on the writer's creativity and the potential directions the narrative might take are infinite, I might have frozen
Music for me is this thing that's sort of saved my life over the course of my whole life, whether it be writing songs or listening to other people's stuff.