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I wear lashes, of course, a little contour, and a lip. And usually I wear shades, so that helps with not doing my makeup. I can put on a cute little face real quick.
Man must have some recognized stake in society and affairs to knit him lovingly to his kind, or he is wont to revenge himself for wrongs real or imagined.
To me, the real thrill is in making the music, and then I just trust it to find its own audience, and at times it's big and at times it's small, but that's beyond my control.
I’ve named everything that I’ve ever owned. Real or inanimate, I have to give it a first and last name. Everything in my apartment comes alive at night.
The less you think counterfactually, the less you experience stress. Stress, in this light, isn't a bad thing. It's simply a warning system telling you that your mind has lost touch with what's real.
The problem is, when you're working with orchestras, you only get the orchestra for about two hours before the performance to pull it all together, and that doesn't sound like a real collaboration.
The real drag is trying to fly from country to country, day of show, with all your gear. You get hassled all the time. It's hard trying to keep it together.
Most people, even among those who know Shakespeare well and come into real contact with his mind, are inclined to isolate and exaggerate some one aspect of the tragic fact.
I love playing real characters... if they're not around anymore it's helpful because you won't get sued! But there's so much research involved and I love that part of the process.
I was at a U2 concert and someone asked me if my hair color was real... I thought to myself, if I had $1 for every time someone asked me this, I would be very rich.
I think progress is a sort of comfortable disease, and we've got a media that says entertainment and celebrity, which isn't bad in itself but it stops the real issues coming forward.
Advertising ... is a parasitic activity; it forces goods for which there is no real need or demand on a foolish or even a reluctant public, always by appealing to their lower instincts.
I think that the audience wants to see women being put into real situations where they can relate to them, rather than seeing some glamorous woman in a 'Bond' film.
Other friends have said, "I don't understand why you've used this trumpet-style sound rather than a real one when you know you can write for trumpet." But it's most important to get the energy right.
There was this real fear in doing Square Pegs after getting such a fast ride to glory on Saturday Night Live. I was afraid that the word would be peaks early, fails to live up to promise.
I cannot get him to write or speak in real, solid earnest. I don't much mind it now, but if it be always so, what shall I do with the serious part of myself?
I'm always open to somebody else having a better idea, but I feel like, if it feels real, then people aren't thinking about it and they're just doing the acting of it.