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I think about the sincerity of my writing. I try to be true, to pose questions. Shake people up a bit and make them look in a direction they wouldn't normally.
I'm writing a political comedy that takes place in Canada in Quebec. It's funny. Saying political comedy is a little redundant but it's a first. I've never done any comedy per se.
I'm not at all a linear thinker. I know the feeling I want to convey, but the form is what I struggle to find. I'm sure I'd fail if I tried to write a grant proposal or a book proposal.
I talk to myself on paper about my characters - sometimes writing in first person... I keep lists of unanswered questions that I can always turn to in order to get myself going.
Most books are about aspects of human knowledge - Few people write books about human ignorance, despite the fact that there would be much more to write about
Who is that blond child laughing as he runs after his colored marbles? [my marbles] It's me And who is the poet writing this poem? That blond child who laughed as he ran after his colored marbles
Keep writing, because not only does practice improve skill, it gives you more chances to score on the market. I did that for eight years before making my first sale.
The craft, the writing of a song, is about creating a story, a life story, a world within three minutes, but that's the frame, if you like, the picture frame. That fascinates me.
You go back and look at some of the ancient writings that exist throughout the world about wars and it's the same; the human beings' articulation of events is the same. That really fascinated me.
I have learnt through doing interviews throughout my life that the way that somebody can write about something can change entirely how it was meant, or what actually happened.
Like I have to pretend like I'm a male rapper, that I got stacks and we're in the club, and what do I want to say. And then, when writing Rare I could just be PJ.
I do write a lot of prose. It's not disciplined enough yet that it's actually become stories, or short stories. The idea of writing a novel seems impossible.
If you're a freelance writer and aren't used to being ignored, neglected, and generally given short shrift, you must not have been in the business very long.
I am not one of those writers that it just flows out of effortlessly. I have to sit and write and rewrite and sometimes it's really challenging to get anything good out of myself.
I write pretty often. I have a home studio. Music is what I do for fun. I never get tired of it, so to take a break from [TV and movies], I would go make some music.
Yeah, the main goal when I'm writing [movie scripts] is to entertain myself. It's supposed to be funny, but then a funny idea can be turned into something else.
The way I write is really like putting one foot in front of the other. I really let the characters do most of the work, they start talking and they just lead the way.
I'm not one of those people who's so blinded by my own work and my sweat. It's kind of risky writing a memoir when you're really part of a larger universe.
I think all of the decisions I make about my life and writing are the preparation - what I choose to write about and the immersive nature of the lifestyle I choose for playwriting.
I got to trumpet, finally. That's why I love to write for brass, and [Count] Basie and [Frank] Sinatra and all that stuff, 'cause that's just like part of my DNA.
When you write for children and young adults, you have much more affect and influence on them than when you write for adults. The books that get us through our childhood stay with us for life.