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Everything in my life affects my writing. There are no separate parts of my life.
I think one of the biggest mistakes you can make as a writer is to follow your initial [writing] plan too stringently. A story needs room to grow and evolve.
Writing a good query letter has very little to do with writing a good novel. But if you can't write the one, it makes it really hard to get the other published.
If you're going to have a book full of clever people and nobody ever jokes, it's just not going to ring true to the reader. That said, humor writing is the hardest kind of writing there is.
Songwriting can be cathartic, but then you just keep it private. If you're going to play out and have other people listen to you, then you need to make sure there's some point to what you're saying.
What is the impulse that drove to direct? To me, it seems so immense. Just having a rock 'n' roll band, or to go from the solitude of writing and to having to collaborate, is almost schizophrenic.
More than anything that's been the thread through my life - the desire to write, the impulse to write. I mean, it's taken me other places, but it was the impulse to write that led me to singing.
After writing all day I go for a walk and see a piece of architecture i want to photograph and i have to take a picture and later a poem comes in my mind.
My object when writing prose is to write as clearly as possible. I think I know what I'm saying in prose, and I want others to understand it and to be able to restate it.
The process of writing is a process of learning; and much has become clearer to me in the attempt to transform my original rough notes into what I hope is an intelligible presentation.
Writing is, after all, a gesture towards other people, giving something to others. And so it's not a completely hermetic exercise. It's really an opening up.
I would say that Edgar Allan Poe, [Georges] Perec, Thomas Pynchon, and [Jorge Luis] Borges are all boy-writers. These are writers who take... a kind of demonic joy in writing.
When I am writing, even though it's hard and I do struggle often, I am happier than when I'm not writing. I feel alive. Whereas when I'm not writing, I feel like your common every-day neurotic.
I woke up one day and thought: I want to write a book about the history of my body. I could justify talking about my mother because it was in her body that my body began.
I don't read reviews any more, but I'm told by my publisher who gives me an account of what people have been writing and it's been a very split kind of response.
I've found that writing novels is an all-absorbing experience - both physical and mental - and I have to do it every day in order to keep the rhythm, to keep myself focused on what I'm doing.