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Your writers write these pieces about meaningless startups, meaningless apps and meaningless companies.
I'm a plotter. A thinker, a note-maker, a mapper and a flow-charter. I'm up for using any device that will teach me more about the people I'm writing about and their story.
I actually find it pretty tedious when magazines ask me to write articles based on my real life, because I've already lived it and there's nothing new to discover. So, I'm unlikely to write a memoir.
The writing can be its own reward, as you discover more things that you can do. It counts a lot, though, when a story connects with a reader and they take the time to tell me about it.
It's no good looking to writers for definitions of what constitutes proper writing, because you will drive yourself crazy, and you won't find anything that you can build into a coherent whole.
Writing a poem is a more personal experience, I think, than writing prose. And perhaps reading a poem is a more personal experience than reading prose, though that's harder to say.
People keep referring to me as a standup, and that just doesn't sit well with me because a lot of my friends are standups and they're brilliant at writing jokes, and I'm not.
I would eventually like to write and star in my own stuff. I think I have a good comedic sense, so I'd like to follow that road. I don't know what the future holds, but whatever I do, I'll commit.
I always write and create. I'm never not creating. I'm always creating a show, every year, whether it gets picked up or not. I always sell a pilot or an idea. I like to be in control.
I am so territorial, that [from the start] I just felt like whatever I was gonna do I was gonna write it myself, its my personal preference to always be in control of everything I do in life.
I think one of the things I was shocked about was how interested the world is in 'American Idol' and how people, writers, they write about 'Idol' all the time, and I guess I didn't expect that.
I get told I'm too good-looking for a lot of roles. They don't write roles people would think I'm supposed to play as often as they used to - the rom-com pretty-boy storylines.
Forty-years-old these days is the beginning of people's lives. I've found myself, I'm confident, I'm mature, I've been through some stuff, I'm ready to write my book.
When you are going through something that heavy, for me anyway, I couldn't imagine writing about anything else. I always tend to write about what's most prevalent in my mind.
Getting a book published made me feel a little bit sad... I felt driven by the need to write a book, rather than the need to write. I needed to figure out what was important to me as a writer.
No, I don't harbor any mystical ideas about writing, Your Honor, it's work like any other kind of craft; the power of literature, I've always thought, lies in how willful the act of making it is.
I do realize that the reader needs some form of resolution. Sometimes I think of it almost like writing a musical score where things have to harmonize and certain lines have to come to a close.
What interests me very much as a writer is the ability for writing to have our lives to be occupied so vividly by others. I think that's what we long for as writers.
[To write poems] I think it's important to do research, and research mostly is going to come from books, so all of your reading is potentially helpful to your poetry.
I used a video camera, and shot on film cameras at school and stuff, but I had a lot more training as a writer. I kind of live like a writer. I get up and I write. I've done that my whole life.