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If I knew anything about what people wanted and was popular, I'd still be writing for 'Saturday Night Live'. I can only write what I want, and hopefully people will like it.
I wrote 'The Zombie Survival Guide' because I wanted to read it, and nobody else was writing it. All I've been doing with everything I've written is answering questions that I had.
Listen carefully to the feedback your readers give you. Dont write unless people want you to write, a lot of people write just because they want to write.
I really enjoyed reading the writings of Fredrick Buechner, I havent read anything by him in probably a decade but about 20 years ago I read four or five books of his and it helped me.
I am furious at all the letters to answer, when all I want to do is think and write poems. ... I long for open time, with no obligations except toward the inner world and what is going on there.
If I wanted to write, I had to be willing to develop a kind of concentration found mostly in people awaiting execution. I had to learn technique and surrender my ignorance.
It's so tedious writing cookbooks or writing the recipes because I've never been much of a measurer. But to write a book, you have to measure everything.
When I'm writing, I am trying to find out who I am, who we are, what we're capable of, how we feel, how we lose and stand up, and go on from darkness into darkness.
Even though I loved to write, I never liked English lit. class very much. I think it ruins books when you dissect them too much. I liked my art classes best.
I used to draw and illustrate, but I don't do that anymore because I just like to write. I like to leave the illustrations to actual professional illustrators.
I think you get so wrapped up in the book you're currently writing, it's hard to think about anything else. But I know as soon as I'm done with this book, I'll move on to something else.
If you're writing a screenplay, you need to be prepared to let go: there's a good chance the words you write aren't going to be the ones that end up on screen.
I love what I call "re-imagining," where I throw everything up in the air and let it fall in a different way. It's not the most efficient way to write a book, but it's how I find the story.