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So that's why one of my rules of parody writing is that it's gotta be funny regardless of whether you know the source material. It has to work on its own merit.
What I always wanted to get seen as was as a good actor, when it was the acting I was doing. When I'm writing, I want to try to be seen as a good writer.
...she felt about reading what some writers felt about writing: that it was impossible not to do it and that at this late stage of her life she had been chosen to read as others were chosen to write.
Writing allows me the time to travel and see the world, which is what I always wanted to do. I'd really like to have been Sir Richard Francis Burton, but it's the wrong century.
There's certainly more new SF available than when I started writing. That means there's also more bad SF available. Whether there is also more good is a matter for future historians of the field.
I don't write all my stuff. Everybody always thinks that. But in just about every album I've ever had has been about 50-50 songs I've written or co-written and other people's songs.
One day I'm going to write a book about osprey. It has really gotten deep into my bloodstream. So when you ask what else I do, I feel like this is part of what I do....is to watch these birds.
Franz Kafka is an idea person. His books begin and end in ideas. Ideas have always been important to me in my writing. To the point that I have to be careful that they don't take over.
I never willfully want to write the same record twice, which is probably why I jump from project to project. But I can't ignore that there are things that inspire me, and I love celebrating those.
My brother says that I was writing songs about fate while he was off playing soccer. Now I tell him he's 33 and being a professional while I'm playing soccer with my friends. Ha!
Writing a song doesn't heal things. Even if the song comes up with a solution, it's still only a theory. Going out and living my lyrics is a whole other deal. That takes courage.
But I love to entertain. My vocation is to accrue all these experiences, to write about them, to get them out of my system, to not get sick, and then to share them publicly.
I started playing piano when I was 6. And I knew that wanted to be involved in that form of expression, whether it was through music, or acting, or dancing, or painting, or writing.
I'm clearly most well known for my music. Eventually, ultimately, I'll be writing books. I'm still writing articles now. I just consider myself a writer.
Writing the record for me - every record is almost a surprise. When people ask me, what are the themes you want to grapple with on this one? I have no idea until the record's finished.
A singer can quit once he or she has made ten great songs; a director can finish once he or she has made five amazing films; a writer just needs to write three great books.
Isn't it remarkable how everyone who knew [D.H.] Lawrence has felt compelled to write about him? Why, he's had more books written about him than any writer since Byron!
I've never discussed my writing with others much, but I don't believe it can do any harm. I don't think that there's any risk that ideas or materials will evaporate.
There are hardly half a dozen writers in England today who have not sold out to the enemy. Even when their good work has been a success, Mammon grips them and whispers: More money for more work.
I made commercials for corporations like Volkswagen and Coca-Cola, but I was always the one to write them, too, which was a very good exercise, because I learned to tell little stories.