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Through our reading we can travel to other times and other places, into other peoples minds and hearts and souls: it is a transcendent experience.
She continued weeping until the heat of her tear water, the sheer velocity of its flow, finally obscured the already vague circumstances of its origins.
As long as a film stays unmade, the book is entirely yours, it belongs to the writer. As soon as you make it into a film, suddenly more people see it than have ever read the book.
Hell man, I know very well you didn't come to me only to want to become a writer, and after all what do I really know about it except that you've got to stick to it with the energy of a benny addict.
You can write nothing of value unless you give yourself wholly to the the theme -- and when you so give yourself -- you lose appetite ans sleep -- it cannot be helped --
Novels for me are how I find out what's going on in my own head. And so that's a really useful and indeed critical thing to do when you do as many of these other things as I do.
this is the weakness of most 'edifying' or 'propaganda' literature. There is no diversity...You cannot, in fact, give God His due without giving the devil his due also.
I decided that if I was never going to sell anything as long as I lived, I might as well do what I want to do 'cause then at least I would've done what I wanted to do in life. What's that worth?
If you’re a writer, your first duty, a duty you owe to yourself and your readers, and to your writing itself, is to become wonderful. To become the best writer you can possibly be.
The habit of expression leads to the search for something to express. Something remains as a residuum of the commonplace itself, if one strikes out every commonplace in the expression.
Dreaming is the day job of novelists, but sharing our dreams is a still more important task for us. We cannot be novelists without this sense of sharing something.
And I think that in myself (and perhaps evident in what I write) fear of loss and the corresponding instinct to protect myself against loss are potent forces.
But if what interests you are stories of the fantastic, I must warn you that this kind of story demands more art and judgment than is ordinarily imagined.
To look at the work of your peers, and learn how to explain with kindness and precision, the nature of their mistakes is, in fact, how you learn to diagnose your own work.