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And Paul hits this chord, and I turn to him and say, 'That's it! Do that again!' In those days we really used to absolutely write like that - both playing into each other's noses.
Famed value investor Guy Spier has managed to write what is both a gripping memoir and a fascinating study of what it takes to succeed in investing and life. A must read!
If you have one strong idea, you can't help repeating it and embroidering it. Sometimes I think that authors should write one novel and then be put in a gas chamber.
When you're writing for theater or TV, it's open-ended in scope. You can write 10 separate pieces that are really effective but have no place on a rock record or whatever.
The curious hocus-pocus of criticism I can't take seriously. It consists in squirreling up some odd phrases and then waiting for a book to come running by.
I don't think there is a single sentence in this whole book [East of Eden] that does not either develop character, carry on the story or provide necessary background.
Try to develop actual work habits, and even though you have a busy life, try to reserve an hour, say - or more - a day to write. Some very good things have been written on an hour a day.
I have never believed that one should wait until one is inspired because I think the pleasures of not writing are so great that if you ever start indulging them you will never write again.
The - writing is a kind of act of aggression, and a person who is not aggressive in his normal, may I say, intercourse with humanity might well be an aggressive writer.
New songs are why artists go on the road. That's why I go on the road. It's a three-prong play. Writing: You're intrigued. Recording: It brings it to life. And then you want to share it.
When I feel I'm going to write something, then I just am quiet and I try to listen. Then something comes through. And I do what I can in order not to tamper with it.
I didn't want to be either the cre'me de la cre'me or a martyr. I'd rather be a novelty, especially in a democracy that doesn't understand the language I write in.
It is forgetting, not remembering, that is the essence of what makes us human. To make sense of the world, we must filter it. "To think," Borges writes, "is to forget.
Any writer who has difficulty in writing is probably not onto his true subject, but wasting time with false, petty goals; as soon as you connect with your true subject you will write.
I am inclined to think that as I grow older I will come to be infatuated with the art of revision, and there may come a time when I will dread giving up a novel at all.
Although I still write, research and investigate, my role is primarily that of a publisher and editor-in-chief who organises and directs other journalists.
My readers think that I write for the day because my writings are based on the day. So I shall have to wait until my writings are obsolete. Then they may acquire timeliness.
The Tale of Despereaux came at the request of Luke, my friend's then-eight-year-old son, who asked, "Write for me the story of an unlikely hero with exceptionally large ears."