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You cannot write to resonate twenty or thirty or forty years from now. You only can write for that very day, but whatever happens is all gravy.
Advertising was fairly simple work, and I really just wanted a job where I could sit and write every day and not get fired for it like I had at other jobs, but it was fun.
I used to hide my real emotions in gobbledegook, like in In His Own Write. When I wrote teenage poems, I wrote in gobbledegook because I was always hiding my real emotions from Mimi.
I had a lot of fun writing things that died during dress rehearsal. Sometimes I remember the crazy ones that died even more fondly than the ones that did really well.
It is excellent discipline for an author to feel that he must say all that he has to say in the fewest possible words, or his readers is sure to skip them.
I find you write with one person in mind. Usually for me that one person is my wife, because she's my most severe critic and understands best what I'm trying to do.
I'd excluded New York from my writing, and then I came back and I fell in love with it all over again... The energy comes from an absence, that yearning for New York when you are not there.
Reality is not always probable, or likely. But if you're writing a story, you have to make it as plausible as you can, because if not, the reader's imagination will reject it.
The great art in writing advertisements is the finding out of a proper method to catch the reader's eye; without which, a good thing may pass over unobserved, or lost among commissions of bankrupt.
My size is an asset to me. People write roles for me. If I was just another blond-haired, brown-eyed, 18-year-old actor, I'd be left unrecognized. People remember me.
I tried to write a TV series, and then I discovered first of all that I love writing more than anything on this earth, and that you could write exactly as well as you want to.
The poetry and the songs that you are suppose to write, I believe are in your heart. You just have to open up your heart and not be afraid to get them out.
I want women writers to write boldly, wildly, deeply. I want them to feel really liberated to tell the brutal truth, however they see that truth and are moved to tell it.
For me, no matter how serious the subject is, when I try to write about it, I have to write about it from a comic point of view. It's just the way it comes out.
Though I feared I would have no progress when I put down the drink, [my writing] hasn't changed. The creative search, and the fragments that I collect, reflects that.
Whenever I get lost in a novel I just throw a poem in. What it does is flare up, and it's so illuminated that I'm able to see where to go. I write between these illuminations.
I always write with music. It takes me a while to figure out the right piece of music for what I'm working on. Once I figure it out, that's the only thing I'll play.
Be bold, and try not to fall in love with your faults. Don't be so afraid of giving yourself away, either, for if yo write, you must. And if you can't face that, better not write.
You can't write something actively trying to please everyone - you're going to end up with watery soup that way. You just have to write stories you would want to read and hope that people like them.
With every sentence she writes, Davis freshens the senses. Her novels achieve a tone that’s unlike anyone else’s, creating an atmosphere you don’t so much interpret as breathe.