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Progressives, in a way, are the new conservatives. We want to conserve what we fought to build.
You put deadlines on people you really don't want, because that's how you feel about them.
Everything changes with age. The parts change with age, your feelings about them change, roles that I would've wanted to play 10 years ago, I don't want to play now.
I understand the directors much more. I was always rebelling against them when I was a youngster, I didn't want to be told what to do. I had no identification.
I think that whoever is the attorney general, you don't want them to be as a yes person for any particular constituency.
I don't watch a lot of other people's parodies because I don't want to be unduly influenced.
You can try on our suede underwear if you choose. Do what you want, but don't step on my blue suede shoes.
The more dignity is widely and freely available in a society, the less people want to be famous.
There is a percentage of people who want to be a little bit outside their comfort zone and I am one of them, someone who lives on the edge.
What I always wanted to get seen as was as a good actor, when it was the acting I was doing. When I'm writing, I want to try to be seen as a good writer.
There's a familiarity that sometimes shocks and annoys the hell out of me. People want a relationship with you that they haven't earned.
Happy relationships are boring. We all want them in our own life. But I don't want to watch them on TV.
I'm at the point in my life where I don't want to work as hard. Actually, I've had to take a good hard look at workaholism and it's effect on one's mental health.
As a culture, we are not comfortable with mortality. We do not accept it the way other cultures do. We cling to youth, and we don't want to die. It's like, 'Well, too bad, we do.'
I feel like there's too many paintings left unpainted that I just don't want to take the time away.
Old is unwanted. You don't find Thais going to the thrift store. They want new clothes. They want the newest cell phone.
I think fiction writers write what they do because no one else has written it and they want to read it.
Nothing in the outer world makes you feel any way. You decide what you want to feel, and then use outer people and events as permission slips to execute your feeling agenda.
My novels are about the European reality, not about chases. You want chases, get somebody else's books.
My attitude is that if anybody of any age wants to read a book, let them, but I do think that no child would want to read Boneland.
The heart of government, coated with whatever velvet gloves you want to put on it, is a mailed fist of force and coercion.
What made me want to play guitar was that painting of Wings in concert in the gatefold of Wings Over America. It looked so exciting... I wanted to be part of it.
I still will sit down at the piano and play when I am wrestling with something emotionally or just want to move into the musical world.
I remember a time when I would hear a band and then want to hear everything that sounded like it; I wanted it to feel like I was tapping into a thing, even if it wasn't.
If you're going through a divorce and you're in a comedy you have to find some way to find the funny side of things even though you might not want to.
Market leaders inevitably slip into decline when they tell the people what they want instead of giving the people what they want.
I love LA, but we don't really have beautiful natural things to look at. I just want to be in nature and go back to my roots and just see beautiful things, that's really all I want.
I think some fans want everything to stay they same because they want to stay the same.
Writing the record for me - every record is almost a surprise. When people ask me, what are the themes you want to grapple with on this one? I have no idea until the record's finished.
When someone has a very urgent response, I think it just means that it's triggering something in them that they may not necessarily want to think or talk about - which I see as a positive thing.
I don't really consider myself a female director, and I don't want to do so for other women. Female directors are just directors.
Failure, it is thought, is what sells, and what people want to hear and read about. I am not so sure.
I have a problem to do a collection that is a secondary line. I mean, you don’t want to be the stepsister. You want to be Cinderella. Show me one girl who wants to be the stepsister.
When you talk about locker room betting, we bet on everything... It's no different than anyone else's office pool. Money changes hands in the locker room; it's whatever you want.
I have high expectations for myself. I'm not out there playing the game just to be playing it. I want to win a championship.
I think a lot of people are aware of the things I do, but maybe because of who I am, they don't want to report the good things about Albert Belle.
You never do a movie and not want it to work. You accept whatever it is. You have to, but nobody in their right mind would not want the movie to be getting talked about at the end of the year.
If I'm going to act in someone's movie, I want the movie to be interesting and be able to get a couple of solid doubles.
The contradiction is this: man rejects the world as it is, without accepting the necessity of escaping it. In fact, men cling to the world and by far the majority do not want to abandon it.
In Oran, as elsewhere, for want of time and thought, people have to love one another without knowing it.
