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Because there's just so much in a day now, I keep writing in much more abstract terms, like I don't try to write about what happened anymore. It would be impossible.
If you know your characters well enough, you aren't trying to grasp for storylines. You're really thinking about their flaws and their passions and what they're chasing.
I'm trying to get a thicker skin. I like to be aware of people's perceptions of me, but when you put it as a priority, as a means to judging your worth, that's when it can be dangerous.
I've learned to be more accepting of myself. I'm 37, not 18, and I've got the lines to prove it. I try to remind myself that a girl can have it all, just not all at once.
In every project, I always look for the depth of humanity inside of it. I'm just trying to say if we can help in some way heal the equation with [Afro-Americans] what's going on with us as people.
I was trying to capture this man's [Idi Amin] energy, and I did a lot of research in studying him. I tried to capture his 'Warrior King' energy inside of me as much as possible.
You need a relationship with Jesus, and I had never heard that before. So when my mom told me about that, I said, "Okay, let me try this." And so I did.
Everyone wanted to be the best. Best student. Best servant. Best Christian. They got caught up in it, pressing and pushing until they forgot whom it was they were trying to please.
The word 'living' has so many connotations that I'm almost reluctant to try to define it scientifically because it sounds as if I'm then downgrading all the other significances of that word.
I'm not against anything that anybody might want to try to pull off in fiction. Fiction writing has to, at least, always represent a possibility of absolute freedom.
When Michelangelo finished the painting of the Sistine Chapel's ceiling, he spent the rest of his life trying to remove the paint that had poured into his sleeve.
We went into Iraq because Iraq posed a threat to the stability of the region and was engaged in the process of trying to develop weapons of mass destruction and had links to terrorists.
The Greek makes the distinction between petros and petra simply because it is trying to preserve the pun, and in Greek the feminine petra could not very well serve as a masculine name.
For a while, it was something to try to push at people, playing old murder ballads and being upset about everything I was seeing around me. But now I feel a lot more at peace with it.
That's the statement of the culture of England and Britain that someone would try to con a personal statement out of you to then be broadcast everywhere for everyone to debate.
There are words that work, that are meant to explain and educate on policies that work, on products that work, on services that work. I'm not going to ever try to sell a lemon. I don't do that.
That's the kind of visual that you're trying to attract - something that in some way or another, connects you to what's happening there in a realistic way.
I prefer to have all of this apparatus - historical, literary, critical - and then, beyond initial innocence and naiveté, to try to achieve a new innocence, a new naiveté.
I try to look at the texts and say: Is there a way that I can find history in the texts and separate it from what may be the mythological elements, and I don't find any rules for that.